Tag Archives: Design

Crisscross Mesh- The Easy Top

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I have long found that using a fine weight yarn and a large crochet hook can create some stunning effects, and my latest design is no exception. The Crisscross Mess Top can be found in the Spring 2018 Special issue of Crochet! Magazine Boutique Style Crochet and I think that you will really enjoy it.

photo courtesy Annie’s

The yarn used for this design, Juniper Moon Farm Zooey DK, is a cotton/linen blend at 60%/40% respectively. It has a slightly uneven texture, being that it is a bit thinner/thicker in some places then others, but not drastically. It is not necessarily the first yarn I would have thought to design with, but I am very happy with the results. Find a more in depth review and thoughts of this yarn from my post in June 2017, here.

The design for this top is really pretty simple. It is rates as easy, and honestly….it is. Basically the large hook and fine yarn do all the work. You simply work 2 different size rectangles, and sew them together, then add sleeves. It only utilizes one crochet stitch, so it is pretty straight forward, yet has a really nice effect. There is no need to worry about shaping, or anything of such, the sleeves use what is referred to as short rows. Short rows are basically the act of not finishing a row, leaving stitches unworked, then when returning to work a row in the same direction you then work the unstitched stitches. Basically if you have 10 stitches in row 1, you work 5 stitches in row 2, as a result there are 5 stitches in row 3, then in row 4 you work the 5 stitches of row 3, and the 5 unworked stitches in row 1, resulting in 10 stitches. Really this is the only technique in this design that is not “repeat Row 2”.

To help the fabric open up, I actually hung it up when I blocked it. The weight of the wet fiber helped pull the stitches open even more than the stitches themselves. This helps give it a casual chic look. However it is definitely not a “wear it alone” type of top. You want to have something underneath, so that effectively makes this a statement type piece.

So if you are looking for a bit of a current fashion statement, give this design a try.

Two at A Time- Double Up that Yarn

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Thinking back I can remember it intimidating me the first time I tried it, but now it seems like nothing out of the ordinary. Using two strands of yarn, or more, at the same time now gives me no second thoughts.

This practice of crocheting with more than one strand of yarn yields some really nice results. I may not use it all that often, but I like the look it creates an almost speckled effect. In some cases it helps two bold colors blend together.

The best tip I can share is to simply treat the two (or multiple) strands as one. Hold them together as one, not worrying about if the colors twist together in your hand. This twist will lend to the effect. When you yarn over and pull your hook, use all the strands, really just treat them as one. After a short time it is easy to get into this rhythm, so don’t be afraid to treat it as such.

It does have some tendencies that can be a bit annoying, for instance keeping equal tension on two yarns can be challenging. This becomes a bit more obvious when I begin one yarn from a new center pull skein, and the other has been worked from a bit already. The new skein is tighter to pull from and this makes it a little awkward to ensure that I keep both strands under an equal tension. I personally correct this by pulling more yarn out of the new skein to more equally match the pull of the second skein.

If I am using two yarns that are wound into balls the challenge becomes keeping them from rolling all over the place and becoming tangled together. There are a couple of tips to deal with this annoyance, I use two different yarn bowls that “trap” the balls and prevents them from “free rolling”.

Another thing to keep in mind about using more than one strand of yarn is that the weight changes. It is not like adding the two weights together will double the weight or anything. By using two medium weight (number 4 weight) yarns does not create a super bulky or a number 8 weight yarn, but it does make a heavier weight, but more like a Bulky (number 6 weight) yarn. As a result you need to use a larger hook. Check out a Beyond Basics Hat, using two strands of baby yarn to create a fun hat here.

By ensuring that you have a proper size hook to accommodate both yarns you also ensure that the fabric has the drape you desire. Just as any project if you want a dense fabric use a smaller hook, if you want a more fluid fabric use a larger hook.

However I usually use yarns of differing weight together, I might accent a medium weight yarn with a light or even lace weight yarn. I might use a completely different fiber, might match a wool with a silk, an acrylic with a mohair, a cotton with an alpaca. The yarns provide a different texture, a different sheen, often a different color, but they always provide something amazing to look at.

Pechin is a New Classic- A Great Shawl

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There are a couple of stitches that always seem to make their way into my work. I find that I create multiple projects using them, and still I never tire of working them. My latest design from Manos del Uruguay and Fairmount Fibers, Pechin, falls into this category.

This shawl is worked from the center of the neck outward, utilizing a simple chain and single crochet combination. I find that this stitch allows that yarn to really be the feature. It creates a light, airy fabric that embodies the yarn to go as far as it can. By this I mean that you can go a long way with just one skein. As an example, Pechin is only a 2 skein shawl (using Manos del Uruguay Milo), and a really good sized shawl at that.

For Pechin, I broke up the chain stitch pattern with bands of shells. This creates a visual break as well as a bit of dimension. The bands gradually space further apart in this design to help keep the flow balanced, and I feel it helps give a really classic look.

I have to admit, I could work this shawl over and over again. The stitch pattern has a nice rhythm, and just enough details, at just the right time, to keep it from getting boring. I also feel that it really has a beautiful balance between the design and the yarn, they feel at harmony with one another as neither over powers the other.

Okay, that might seem a bit wordy or dramatic, but what I mean is that it is a pattern/design in which you can appreciate both the yarn and the design at the same time. I have spoken in the past about how you select a yarn or pattern to bet let one or the other be a highlight, like not using a variegated yarn in a design that is heavily textured, as the yarn will win over the design (read more here). Pechin however, has a balance that allows the yarn to shine as well as the design, and this is true even if the yarn is variegated.

 

Yarn Optical Illusions

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Sometimes you need to have a couple of yarn tricks to ensure that your project turns out the best it possibly can. One of these tips or tricks is understanding dye lots.

These 3 balls are the same color, but the dye lot has some slight shifts, so this fabric uses a different ball every 2 rows.

Dye lots are the critical factor for several, but not all yarns, and essentially it is telling you a specific time period that a yarn was created. This can be important to ensure that the colors from one skein matches that of another. If you want to ensure that your project has the same consistent color then you have to ensure the dye lots of the yarns match. Well, that is the given rule, but I have found that not even this is consistent.

So then what do you do if the color between the yarn skeins happen to be just a couple of shades off? I have had this happen, even within the same dye lots. It is uncommon in most commercial yarns, but it can become apparent in hand dyed or hand painted yarns, and how to fix it is to trick the eye.

The best practice is to work a couple of rows from one skein, and then a couple of rows from another and switch between at least 2 different skeins; sometimes I might even switch every couple of rows between 3 skeins. By making these changes in a consistent manner it creates an optical illusion to the eye and the subtle color differences will blend together when you look at it. This is much more beneficial than having a visually obvious line of exactly where your yarn changed in your project.

I would suggest that even if you suspect that there is a difference in the color shades that you use this alternating skeins in rows technique simply for the fact that when you are so close to your work the subtle details are not visible. When you step away and look at your work from afar and can see a visual line in your work, it feels like a punch in the gut, and unintended mistake. Some people find a way to live with it, others rip it all back. So, I error on the side of caution.

Yes, this will lead to more ends being woven in (I have some tips here). No one is really ever thrilled about that, however if I am going to spend the time to use a beautiful and unique yarn, I might was well take a couple of extra steps to ensure that my final project is the best that it can be.

Award Winning Design! Book Club Afghan

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There are somethings that really take me by surprise. A really pleasant surprise is finding out that one of your designs has been chosen as one of the Top 50 Patterns of 2017 by I Like Crochet Magazine! That is one of the Best of 2017!

Of the thousands of patterns and designs that come out every year, I Like Crochet Magazine felt that my Book Club Afghan was among the cream of the crop.  It takes me back a bit.

Honestly, I am never sure how to assess my designs. I just make the idea that comes to me.

I have found over the years that the more I over think an idea, the less I really like it. So I try and keep things simple, and focus on the approach of what it takes to make the design. Maybe it is the fundamental crocheter in me, but my end thought really falls to if I enjoy making it.

This is the practice that went into making the Book Club Afghan, just enough stitch change to keep things interesting, just enough repeat to keep the design something that you can relax doing. This is how the lacy panels are worked, in a lengthwise direction with solid stitches between them. The three styles of lace make just enough visual interest, and are just different enough from one another that it is a joy to work.

The fringe on this design I fell really helps it stand out, as it offers just a bit of a classic flair. Overall this design has always reminded me of a classic fisherman’s afghan with a modern update, something classic made more current.

I know that there are many fabulous designs accepted every year by the publication, and I am honored that one of mine was selected. I guess a truer statement might be that I am humbled.