Tag Archives: magazine

The Wine Country Throw Comes Alive

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ScannedImageI love simple stitch patterns that really look much more difficult than they are. My latest design the Wine Country Throw in the October 2016 issue of Crochet World Magazine fits this description.

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Wine Country Throw Photo courtesy of Annie’s

When I originally came up with this design I referred to it as “Titter Tat” because the stitches had such a back and forth feel to it that was like seesaw, but the current name of Wine Country is pretty fitting since I am surrounded vineyards. Even as I type this the harvest known as the “crush” is happening as the wine making process is beginning. Sitting back on my screened porch wrapped in this throw is now a great way to end the fall day.

The way the stitches come together, almost has you believing that they are working in opposite direction yet it is simply where the stitches are worked. This also causes the fabric to have an incredible amount stretch.  The edging is what ultimately creates a bit of drama to this piece, as it adds a lace quality and feminine charm, by changing the border to something more solid, such as a couple of rounds of double crochets and this throw has a completely different feel, something a little more masculine, a little more modern.

133005_small2I have to admit that this project works up pretty fast, as it is a worsted weight yarn with a relatively large hook. I know this first hand as I had to rework the pattern a couple of time to ensure the correct size of the finished sample. The stretch of the fabric was misleading my gauge, and thus had me creating throws that were a bit too small. I tore it back and reworked it at least three times before it became what I had envisioned, but in doing so it helped me understand the stitches more, and I am think the end result is definitely a good one.

Shining Shells Throw becomes a Star

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ScannedImageSo, I have stated before that I really do not like to sew things together, well I also do not like to weave in ends. I do not think that I am alone in this. However that does not mean that I do not enjoy motifs.

I know it can sound a little bit of an oxymoron, as motifs usually mean sewing, and usually mean many ends to weave, but they allow for little subtle art pieces in a sense. They add a completely different movement in a sense, especially to throws. The classic throw or afghan, is very practical, full of purpose, and yet a handmade piece of art. People put quits on display, yet often many afghans can have their own beauty.

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Shining Shells Throw Autumn 210 Crochet! Magazine Photo courtesy Annie’s

My latest design in the Autumn 2016 issue of Crochet! Magazine features a solid color motif throw. Shining Shells Throw, is worked in a solid color, worked join as you go, so that you have a minimal number of ends to weave and no sewing, all while offering a unique twist of shells. Essentially each motif is worked with you thinking that it is square, then the final round, you shift everything to turn it on point as a diamond. This definitely gives an interest in working the motifs, while adding a visual interest. The negative spaces created between the motifs add a nice lacy feel, yet do not distract from the overall feel of the piece. A modest edging ties everything together, allowing this throw to hold a place of interest in any place you put it, living room to bedroom, hammock to sofa.

Cover8The solid color also gives you the opportunity to really enjoy the way the stitches come together, the simple color leaves a bold statement, that may have been lost if it dancing in colors.

Corkscrewing Thoughts on the Unfurling Hat

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ScannedImageIt amazes me how something so simple can create such an interesting look. The Unfurling Hat, in the Autumn 2016 issue of Crochet! Magazine is one such design. It is a warm, strong hat that features post stitches. It is these post stitches that create corkscrew effect, or might even be described as a pinwheel kind of look, as it spirals outward from the top and cascades down to the brim.

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Unfurling Hat Autumn 2016 Crochet! Magazine Photo courtesy of Annie’s

The brim is quite generous, and the hat tall. There are a couple of reasons for this, okay, mostly one, I usually have my hair up, and running out in the cold weather I like to be able to throw a hat on and go, not re-do my hair so my hat will fit comfortably and still keep in warm and dry. So by adding a little length to the hat, I can simply put it on and go. It fits over my bun, my pony tail, my French twist. It fits over my clips, and combs, while still doing its job. In addition I think it still looks pretty stylish, while covering up my up-do.

CoverThe design of the post stitches, came out of simple playing again. I had a lush yarn in my hand and I wanted to just crochet, not think, and not work any math, just crochet. The placement of the stitches for this design actually allow me to do that. After you work the first round, the same basic concept works in all subsequent rounds, so I no longer had to think about what stitch I was working. It has a natural organic feel, and works up quickly.

Now I Need My Top- Let the Lace Go

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ScannedImageDesigns come to me in many different ways. Let the Lace Go Top, actually came into being because I wanted to wear it!

The summer of 2015, my good friend Vashti Braha was debuting her yarn, Designing Vashti Lotus to the world in her first show floor booth. I wanted to support her, and since I really like her cotton/rayon yarn, I wanted to make something for myself to wear.

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Let the Lace Go Top Autumn 2016 Crochet! Magazine Photo courtesy of Annie’s

I began working the vertical body, and almost had it together, when I received a call for submissions for Crochet! Magazine. Even though I liked the top for myself, I decided to submit the idea to the magazine. Ultimately it would benefit my friend more to have my design shared with the world, so others can see what a great yarn she has.

Ellen Gormley loved the top, and so I set my personal top aside to complete the project for the magazine. It 8is now available to you in the Autumn 2016 issue of Crochet! Magazine.

I think it came out great! I like working the fabric vertically as I feel it lends itself to a more slimming line, and the lace on top gives it a lighter feel. There is some interesting construction in this design, as you work the solid body first, then begin the lace in to round. After the lace is a couple of inches long, you attach it to the solid body and continue toward the neck, working in decreases to come over the shoulders to the neck.

CoverI added beads to the lace edging, as a little extra highlight, but also for the practice purpose of helping to keep the lace draping in a manner I like.

Personally I love the color, but it can easily shine in any color. I still haven’t actually finished one for myself…but hopefully soon…it just happens to be another project that is resting on my hook.

A Throw of Garden Tendrils, the Ivy on the Fence

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ScannedImageThere is something about taking a simple skill, like making a crochet chain, and using it in a way that you hadn’t conceived of in the past to make you smile. That is how I feel about my latest design Tendrils Throw, in the Summer 2016 issue of Love of Crochet magazine.

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Tendril Throw Photo courtesy of Love of Crochet/ Julia Vandenoever

The throw is worked with large open, airy, and join-as-you-go motifs, which look delicate, but really hold its structure together quite well.

This motif was a resulting of playing. It was a while back, but I was working with chain loops, and I was experimenting with the effect that was made by twisting these loops to work the stitches. It might not seem like this simple concept should actually do much, and if it is worked without subsequent rounds it can just make things feel, well twisted. However it creates neat negative spaces, and actually makes the open work feel a little heartier without adding bulk.

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Tendrils Throw Photo courtesy of Love of Crochet/ Julia Vandenoever

Overall the inspiration was taken from ivy that was climbing on a wrought-iron fence, I think that the shells and picots that make up the solid spaces of this resemble leaves, while the chain loops form the iron work of support.

The pattern creates a throw that is large enough to cover a twin size bed, and if placed over a solid bed cover can be reminiscent of the heritage thread bedspreads, it can also add a bit of whimsy and feminine touch to a garden space.

I like how it ultimately came together, I hope you enjoy it too.