Bringing Home From Conference

ScannedImage I managed to bring a little of the annual CGOA (Crochet Guild of America) conference home with me. I have many memories, and learned much, but then there were the prizes and giveaways.

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Night of Jazz Wrap 2nd Place Accessories in the CGOA 2016 Design Competition

I entered the CGOA Design Competition and took 2nd Place in the Accessories Category with my Night of Jazz Wrap. (See all the winners on a slide show here) The Wrap was inspired by a pattern I found for curtain trimming in a Needleworks publication from the 1920’s. I used two skeins of Designing Vashti Lotus yarn in Red Rose color and accented it with #6 Czech beads from Bead Biz, it is essentially crochet rings that are join as you go. Then they are bordered and have centers inserted in the rings, and tassels added. I always seem to design items for this contest that are hard to display, but come alive when worn. This was re-affirmed to me after the winners were announced, I had one of the judges approach me and express that no one was sure about it until they had a model put it on, then they knew it was a winner. I hope to have this pattern available sometime next year, so that I can share the enjoyment of the creation more.

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With my purchase of raffle tickets I won the set of Furl Odyssey Hooks with bowl & stand. I won the Knitter Pride Interchangable Crochet hooks as a door prize at the CGOA Banquet

The CGOA was very successful in securing great door prizes and giveaways for the conference, they even offered 2 goody bag nights with bags stuffed with yarns, books, and notions. There were so many more people in attendance then expected that the goody bags ran out early and I neglected bring home any of their content. However I did purchase tickets for an entire set of Furls Odyssey Hooks, with holder and bowl. I was completely surprised when my ticket was drawn, so now I get to enjoy a great new set of hooks, in addition to the Knitters Pride set of Tunisian Crochet hooks that I won as a door prize at the banquet dinner.

I did do a little shopping at the Market Place, Compression Support Socks and a Massage Pillow, both of which I put to immediate use on my swollen feet, but the pillow has become a family favorite at home, and I think it now belongs to my husband.

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On the buggy tour…so many flowering trees.

After my board meeting on Sunday after the conference, my friend Karen McKenna, took me to downtown Charleston to see some sights. It was nice drizzling weather, I was happy for this as it meant that it was cooler than the typical day which I had experienced as hot and muggy. We took a buggy ride and learned a little more of the city’s history. I had to focus to understand the accent of our guide and some of the terms used in conversation, but found everything quite interesting. Every tree seemed to have flowers and everything was green, 2 traits I do not see much at home in California, especially in July. We stopped at a little bistro where I actually had fried green tomatoes and grits that I found quite tasty. It was a very enjoyable day and I am grateful that I actually got to see some of the local charm of places I visit.

I could easily take day by day of the conference and write several posts about the happening, the people I met and the adventures I had, but I should probably begin focusing on the next adventure.

Teaching in a Larger Setting, My Experience at the CGOA Annual Conference

ScannedImageIt is hard to believe that I have been home from my adventure of teaching at a national venue for a month now. It has taken me a little while to decompress from the annual Crochet Guild of America conference this year in Charleston, SC. Then arriving home and getting the kids ready to head back to school has delayed my opportunity to really absorb the event. Last week I explained how there was so much going on at the conference that I needed to break it into smaller bites, so today I want to tackle my four classes; Re-Invented Broomstick Lace, Yarn Overload, What the Pattern Doesn’t Say, and Beading Three Ways.

I have taught for a few years in smaller settings, I taught drop in lessons at a coffee shop for 4 fours, more recently I have been teaching weekly at my local yarn store, but teaching at a national conference is a bit different. For one the class size is larger I averaged 16 students per class, with my largest being 20, but they are usually much more focused students that are well prepared and have in depth questions, so it is not a class that you can bluff your way through, you really need to know your material.

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Class materials for Yarn Overload Photo courtesy of the CGOA Facebook page

I also never know what my class room will really look like and I need to bring all my supplies with me. In the local yarn store if a question comes up that I wasn’t prepared for I can find a prop to explain things from items in the store, I always feel that visuals help so much more than just words. At a large conference you are arranged in a hotel meeting or ballroom, so you need to be prepared for random questions and ways of explaining them. Also students expect good handouts, so that they can go home and almost relive the class, local students know that they can access you again in the future if need be.

So after getting all my ducks in a row, and feeling like I have everything together for each class, I walked into my first class, Re-Invented Broomstick Lace, with a few butterflies. The butterflies were primarily from the concern of my relationship with my students. I saw many faces for friends that wanted to support me in my first event, but I always find it a little more difficult to teach friends. It could be the times I have spent as a heckler of my friends teaching, in a good natured way of course, but I know myself well enough to know that to relax in a different setting I might slip into a relaxed situation with my friends and thus not create an inclusive atmosphere for the rest of the class. Fortunately I do not think this occurred, I made a special point to stay professional as much as possible, while still giving personality to the class. It is not an easy undertaking, so I hope I accomplished this! I haven’t received the results of the class evaluations yet, but students did give me positive feedback after the class.

The next class I taught was a complete mental download. Yarn Overload consisted of talking about various aspect of fiber and yarn construction and how it can affect your fabric. Fortunately it was the only class I taught that day, because the material was vast, and the students had some really great questions pressing my knowledge on a variety of fiber crafts, including weaving. I cannot believe that people could listen to me talk that long, but once again I had students expressing how much they really enjoyed the class, I even heard from others at the conference, as word spread about how much was covered in the topic. That makes me feel pretty good. One of the best compliments I received was that one of the students now feels like she can walk into a small yarn store and be empowered instead of intimidated about the yarns in front of her.

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Teaching Re-Invented Broomstick Lace Photo courtesy of CGOA Facebook page

My final day of teaching covered two topics, the first What the Pattern Doesn’t Say followed by Beading Three Ways. There were many ‘Ah ha’ moments for the students during the pattern class, and several people wanted information about my book on the topic, which is not written by the way. I explained many things that you are assumed to know in working patterns, and short cuts, and various ways to create and improve your work. I felt this class was a success as well.

My learning moment came in my last class, which I had to remind myself, it is not the way everything starts it is the way everything ends that is important. Beginning the class I realize that I am missing some important items…needle and thread. The first 2 techniques are taught with them and my sewing tomato pin cushion was nowhere to be found. After a bit of searching and a little regrouping, I had a very generous student offer to run down to the hotel front desk and pick up a stack of emergency sewing packs. I began the class working on the final beading method that did not involve a needle, while the student ran down and picked up supplies. She was a life saver, and fortunately the hotel was gracious enough to accommodate our needs. I managed to keep my composure and I think the class ended much better than it began, at least I hope the students feel it was successful.

I am not sure when I get to see the class evaluations, but I want to learn and grow as a teacher, so this is one of the only tools available for me to enhance the experience in my classroom. You always learn more by teaching, whether it be the skill itself or the art of instruction. This was definitely a learning opportunity for me, which I hope to repeat.

Knitted Yarn that Allows Crochet Stitches to Shine!

ScannedImageLooking for something different to crochet with? Want something with a little stretch and great stitch definition? Well Red Heart Strata comes to mind.

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Single and Double Crochet in Red Heart Strata yarn, every part of the stitch is highlighted.

This 76% acrylic, 24% nylon…well for lack of a better term….yarn, can fit the build. Strata is actually a more like a knit fabric, but it is not any cut strips like some T-Shirt yarns, it is a knit tube around a soft fill. This tube filled with fluff, creates a “yarn” that has some body and does not lay flat on itself when used. As the encasing is knit in what appears to be the fashion of an I-cord, there is no seam, no fray edges, just a smooth round pliable material.

The stitch definition with Strata is very impressive. The unique structure of this “yarn” with the soft roundness of the strand allows parts of your stitches to become more visible in a sense, causing a different appearance with even every day stitches. By this I mean that even a fabric of just simple or double crochet will look like there is great texture. It allows every yarn over and every pull through an opportunity to stand out on their own, and almost seem separate from the overall body of the stitch. I think this gives crochet a fun opportunity, as with minimal effort you can get a fabric that has a textured feel.

This is definitely a “yarn” to be worked on large hooks and needles, as even through it feels like a more medium weight, it works up as a bulky. This allows for fast projects, however with the small yardage per ball, just 95yrds/86m, you may require more skeins that first imagined to complete a desired project.

I can easily envision household items with is “yarn”, like towels or trivets, potholders or mats, maybe even a nice bath robe or pool side cover up. With the overall tendency of this “yarn” to seem heavy, and stretch, I would caution garment construction in most cases.

Overall though an interesting “yarn” that can offer a lot to the imagination.

Shining Shells Throw becomes a Star

ScannedImageSo, I have stated before that I really do not like to sew things together, well I also do not like to weave in ends. I do not think that I am alone in this. However that does not mean that I do not enjoy motifs.

I know it can sound a little bit of an oxymoron, as motifs usually mean sewing, and usually mean many ends to weave, but they allow for little subtle art pieces in a sense. They add a completely different movement in a sense, especially to throws. The classic throw or afghan, is very practical, full of purpose, and yet a handmade piece of art. People put quits on display, yet often many afghans can have their own beauty.

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Shining Shells Throw Autumn 210 Crochet! Magazine Photo courtesy Annie’s

My latest design in the Autumn 2016 issue of Crochet! Magazine features a solid color motif throw. Shining Shells Throw, is worked in a solid color, worked join as you go, so that you have a minimal number of ends to weave and no sewing, all while offering a unique twist of shells. Essentially each motif is worked with you thinking that it is square, then the final round, you shift everything to turn it on point as a diamond. This definitely gives an interest in working the motifs, while adding a visual interest. The negative spaces created between the motifs add a nice lacy feel, yet do not distract from the overall feel of the piece. A modest edging ties everything together, allowing this throw to hold a place of interest in any place you put it, living room to bedroom, hammock to sofa.

Cover8The solid color also gives you the opportunity to really enjoy the way the stitches come together, the simple color leaves a bold statement, that may have been lost if it dancing in colors.

Corkscrewing Thoughts on the Unfurling Hat

ScannedImageIt amazes me how something so simple can create such an interesting look. The Unfurling Hat, in the Autumn 2016 issue of Crochet! Magazine is one such design. It is a warm, strong hat that features post stitches. It is these post stitches that create corkscrew effect, or might even be described as a pinwheel kind of look, as it spirals outward from the top and cascades down to the brim.

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Unfurling Hat Autumn 2016 Crochet! Magazine Photo courtesy of Annie’s

The brim is quite generous, and the hat tall. There are a couple of reasons for this, okay, mostly one, I usually have my hair up, and running out in the cold weather I like to be able to throw a hat on and go, not re-do my hair so my hat will fit comfortably and still keep in warm and dry. So by adding a little length to the hat, I can simply put it on and go. It fits over my bun, my pony tail, my French twist. It fits over my clips, and combs, while still doing its job. In addition I think it still looks pretty stylish, while covering up my up-do.

CoverThe design of the post stitches, came out of simple playing again. I had a lush yarn in my hand and I wanted to just crochet, not think, and not work any math, just crochet. The placement of the stitches for this design actually allow me to do that. After you work the first round, the same basic concept works in all subsequent rounds, so I no longer had to think about what stitch I was working. It has a natural organic feel, and works up quickly.