Crisp Has a Bit of Spring

It is always amazing how a different yarn can greatly affect the outcome of a project. I find that this weekly exploration into the qualities of different fibers and yarn has really helped me to understand what can work with various ideas.

Looking for a springy yarn, I find that Crisp by Sugarbush is a fine example. This yarn is made up of 100% extra fine superwash merino. Essentially it is a very fine wool, meaning it is a thin diameter fiber of a wool that is already known to be thin. This “thinness” makes it soft. Then superwash means that the wool has been treated so that it does not felt. Making this s yarn that is of a nice quality and yet has a practical application.

Crisp by Sugarbush Yarns

When playing with the yarn I found that it was quite springy, or having a lot of bounce back. This is great for items that need some stretch, like a hat or gloves, but I don’t think I would enjoy it as much as in things that I want a bit of drape in such as a shawl.

This yarn is four ply, which seems to be worked with a bit of extra twist. This extra twist places the plies close together allowing for its spring back quality but also giving the yarn a nice tubular feel as well. This round nature allows for the parts of any particular stitch to be readily visible, thus giving definition. This yarn will really help any pattern with texture to shine, so pull out the cables, the popcorns the bobbles and such, but consider leaving the lace and open stitch work patterns aside. The spring of the yarn will not allow these open stitches to open as great as they should, making your lace work seem less defined.

The ball is only 1.75 oz/95 yrd (50g/87m) so it does not take you far, one ball may complete a hat, but I would pick up a second ball just to be safe. I think you will be pleased with this yarn, it does not tend to split when being worked and glides through the hand. It does create a soft fabric that is pleasant to the touch.

Simple Bars are a Great Texture- Crochet for a Difference

Sometimes it is just the simple alteration of stitches that can create a texture that can have a purpose. Simple Bars, as I am calling it, has a great textural appeal, with little work. The texture has a nice visual appear but in some applications can have a very practical purpose as well.

Essentially this is just alternating front and back post double crochet stiches, to begin you create an even number of chains. Double crochet in the fourth chain from the hook and in each stitch across. Chain 3 and turn your work, in the next stitch work a front post double crochet, and in the next stitch work a back post double crochet. Repeat alternating front and back post double crochets across the row, work a double crochet in the last stitch Then chain 3, turn and repeat the same stitch pattern. It really is that easy.

Simple Bars www.lindadeancrochet.com

Simple Bars

Here is the traditionally written method:

Chain an even number

Row 1: Dc in 4th ch from hook, turn.

Row 2: Ch 3, *fpdc in next st, bpdc in next st; rep from * across, dc in last st, turn.

Row 3-desired length: Repeat Row 2

This Simple Bars creates enough texture that when worked up in cotton can make great dish clothes. I would use a heavier weight cotton, not a thread, something like a light or medium weight yarn. The reason cotton is a choice it that it will not melt under high heats like acrylic, and holds water really well.

Not everywhere that crochet can make a difference is readily apparent. The simple kitchen in our community can easily be overlooked, but really make a small difference. Everyday throughout every community there is a hot meal being made and served to people in need. In some cases these are traditional soup kitchens with volunteers serving food donations to people in need, in others they are community halls that host community pot lucks, where everyone in attendance brings a dish to share. Some communities find these in churches, some in schools, but crochet can be donated here in the way of pot holders and dish clothes. Consider making a few for your community kitchens, sometimes it is the little things that can make all the difference.

At Long Last Interrupted! – Knit it! Crochet it!

People can be a bit surprised at how long it can take for a design to become a pattern, even when you are self-publishing. In some cases it can take up to a year; there is the design process that has you working out all the bugs, then writing the pattern and stitching the item (or maybe you stitch it first then write up the pattern), then you send it for review with a Technical editor to make sure that everything makes sense and can be understood (not everyone does this step, but it definitively makes a difference). Then it is into the world of photography, and lay out…then it is ready to upload and announce its introduction into the world. Did I mention that this happens while you are juggling any other contracts you may have in place? Or juggle the needs of your family? Or still attempting to create new ideas? Yes, it can take time.

Interrupted Shawl, knit version wwww.lindadeancrochet.com

Knit version of Interrupted

That is a bit of the history of Interrupted. The name may be a bit foretelling in its journey to being born into the world.  This design is another of my “Two in One”, meaning you get both a knit and a crochet version in the same pattern almost like a little bit of “something for everyone”. It actually got its name from the drop stitches that break the solid fabric pattern to create an airy feel. Both patterns are worked from the small point of a triangle outward, this makes for a great pattern that you can just use along with your yarn and end it when you think the size if correct for you.

Interrupted Shawl, crochet version www.lindadeancrochet.com

Crochet version of Interrupted

The solid fabric has a bit of texture, and that is the first thing people comment about them. The texture looks much more difficult than it is to execute, but when paired with dropped stitches it has a contrast that really highlights the textural differences. Check this design out for your self at either Craftsy or Ravelry.

Once again this design is pair with a Lickin Flames shawl pin, and Lisa Souza Yarn (Baby Alpaca Silk Petite…1 skein)…I love coming up with these one skein projects, and working with these two companies is always a joy. It really helps that they are such nice people, if you haven’t checked out their work, I really recommend it.

Love Me Some Cashmere- A Luxury Yarn

Cashmere has been a term that signifies luxury for a long time. I remember watching some 1980’s movies where the character wearing the fuzzy cashmere sweater was the rich either miss understood teen or self-centered antagonist. I always see it in my mind with the big hair of the decade, and thus have felt that it was a wealthy fiber well out of my realm.

Learning more about yarn and fibers I have found cashmere a bit of a misnomer, it is a fiber from the underbelly of a goat. What makes cashmere, well cashmere, is the micron count of the fiber has to be 19 or finer, with less than 3 percent by weight of fibers exceeding 30 microns. Basically it is very thin in diameter. The length of the fiber also must be at least 1.25 inches (3 centimeters) and meet a specific crimp structure (have a certain wavy pattern).

Lisa Souza Dyeworks Cashmere Sport

Some of qualities of this fiber are readily seen in Lisa Souza’s Cashmere Sport yarn. Cashmere holds its shape well yet is springy. It is very light weight, with a lovely drape, and is incredibly warm. One of the most noticeable feature is that light does not reflect from this yarn, it appears more like a velvet and absorbs the light. This may be one of the factors that gives it a luxury quality.

As the fibers are so fine it is extremely soft. This is definitely a yarn that I want to snuggle with. The Sport weight skein provided from Lisa Souza Dyeworks is available in a 2oz/200yrd put up, just enough for a set of fingerless mitts, a hat, or a scarf. (I have a free pattern featuring this yarn in a Tam here). This yarn has a soft stitch definition and thus any really heavily textured stitches might have a soft edge then you may be have with. It can easily support a lace design, and does not demand too much attention to itself, allowing your handwork to shine.

I still consider this fiber a bit of a luxury, even if you can find some wools with a finer quality fiber, and thus being softer then cashmere, cashmere has a certain halo about it that when added to the light absorption, just has a look and feel of something that is unlike anything else.

Crocheting the Mark

The other day I was going through an old box and I stumbled across some “early to me” crochet. I recall, about the time I was learning to crochet at age 10, at school I received a crocheted bookmark. My teacher had a friend who crocheted and she had created a bookmark with a “curly q”. My teacher gave them as prizes to students that had met her reading goal, I cannot recall exactly what the goal was but I remember the prize.

Curly Q bookmark in use

I remember being in awe of how it was made. Being a new crocheter I had no idea how the twists were created. I used that bookmark for years, and several years later, after becoming more proficient in crochet, figuring out how it was made. I have since recreated this bookmark for teachers of my children. They have used them in much the same way as my teacher years ago, meeting a goal and getting a reward.

I am sharing this stitch pattern for this bookmark in the hopes that you might make a few and share them with teachers or your local library, helping sharing the gift of reading. I know that many think that all books are going digital, but there is something about holding a book and moving your bookmark through the pages that has a gratification that can’t be completely explained.

More of the Curly Q bookmark in use

This is a really loose pattern, I don’t know if I should even all it a pattern, I am basically sharing how I create mine, and none of the stitch counts are really important. The gauge does not matter, it doesn’t matter what yarn or hook your use. To begin you chain anywhere between 6 and 8, slip stitching to the first chain to create a ring. I then chain 1 and place about 12 single crochets in the ring, slip stitch to the beginning single crochet. Now create a chain of about 18” to 24”, then double crochet in the 4th chain from the hook, add 2 more double crochets to the same stitch as the last, work 3 double crochets in each of the next several chains, working until you feel the “curl” you are making is long enough. Finish off, and weave in all ends.

That is all there is to it. The chain section lays in between the pages while the “curly q” can slip through the ring to secure around the book binding. This is a simple scrap project, and one I find fun and fast.