Masters Day Teaching….Learning Too!

ScannedImageI have been meaning to write a post about my experience at the Crochet Guild of America’s annual conference last month in Charleston, SC, but I keep putting it off. I finally have realized that it is because it was too overwhelming, so I have decided to break it down into more “bite size” posts.

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Masters Day, Charleston, SC 2016

There really is really just so much going on at this conference that I could not participate in everything, and feel like I hardly saw anyone, as I was running from event to event. And another confession, I was horrible at getting photos of, well anything…

So I left a month ago for Charleston, SC, and have new found respect for air conditioning. Living in California I live through days of hot temperature, but the humidity is something that I do not experience. Deplaning at 1:30am and finding that it was 85° F and 55% humidity outside, was a completely new experience for me. California nights cool off while we drink water, not breath it. Even though the hotel and conference center were only a couple of blocks from dining options, I did not venture out, physically I never really adjusted to the climate.

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Masters Day, Charleston, SC 2016

However I arrived a day early to ensure that I would be up for my new adventure of teaching at this national venue. I was officially teaching 4 classes; Re-Invented Broomstick Lace, What the Pattern Doesn’t Tell You, Yarn Overload, and Beads Three Ways, yet in addition I also help teach all day at the Master’s Day. These all over the course of 4 days are a bit of mental gymnastics, I become completely submerged in all things crochet, even more then the everyday.

The Master’s Day was the first event. I helped facilitate this all day event with other reviewers of the Master’s Program offered by CGOA. The Program consists of 48 swatches and 13 questions that is completed via correspondence, I successfully completed the Masters of Advanced Stitches and Techniques in the summer of 2010. Essentially it was this program that began my career in crochet design, and teaching, but that is another story. Since completing the program I have been a reviewer critiquing the work of others, as well as help organize and teach the Masters Day at the annual conference, with the one in Charleston being our third such event. In addition, I am currently combining the work of many talented teachers and writing a new Master’s program, so in a sense I am completely immersed in all things Masters.

I believe the event was successful, and I even came away learning things myself. The students began applying the various techniques that were taught; linked stitches, foundation stitches, gauge, finishing work, reviewing your work and such, while they were coming up with new ways to approach all of these techniques I had an eye opening moment of how Tunisian Crochet is really just linked stitches combined with Foundation stitches. It is amazing how much of crochet is built upon other skills that are really just other versions of the same other basic techniques.

The other highlight of this day was getting to catch up with some of the other reviewers that I only get correspond with via email. They really are a great group of women that have a great passion for crochet, and I always find time spend with them to be rewarding.

Knitted Yarn that Allows Crochet Stitches to Shine!

ScannedImageLooking for something different to crochet with? Want something with a little stretch and great stitch definition? Well Red Heart Strata comes to mind.

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Single and Double Crochet in Red Heart Strata yarn, every part of the stitch is highlighted.

This 76% acrylic, 24% nylon…well for lack of a better term….yarn, can fit the build. Strata is actually a more like a knit fabric, but it is not any cut strips like some T-Shirt yarns, it is a knit tube around a soft fill. This tube filled with fluff, creates a “yarn” that has some body and does not lay flat on itself when used. As the encasing is knit in what appears to be the fashion of an I-cord, there is no seam, no fray edges, just a smooth round pliable material.

The stitch definition with Strata is very impressive. The unique structure of this “yarn” with the soft roundness of the strand allows parts of your stitches to become more visible in a sense, causing a different appearance with even every day stitches. By this I mean that even a fabric of just simple or double crochet will look like there is great texture. It allows every yarn over and every pull through an opportunity to stand out on their own, and almost seem separate from the overall body of the stitch. I think this gives crochet a fun opportunity, as with minimal effort you can get a fabric that has a textured feel.

This is definitely a “yarn” to be worked on large hooks and needles, as even through it feels like a more medium weight, it works up as a bulky. This allows for fast projects, however with the small yardage per ball, just 95yrds/86m, you may require more skeins that first imagined to complete a desired project.

I can easily envision household items with is “yarn”, like towels or trivets, potholders or mats, maybe even a nice bath robe or pool side cover up. With the overall tendency of this “yarn” to seem heavy, and stretch, I would caution garment construction in most cases.

Overall though an interesting “yarn” that can offer a lot to the imagination.

Shining Shells Throw becomes a Star

ScannedImageSo, I have stated before that I really do not like to sew things together, well I also do not like to weave in ends. I do not think that I am alone in this. However that does not mean that I do not enjoy motifs.

I know it can sound a little bit of an oxymoron, as motifs usually mean sewing, and usually mean many ends to weave, but they allow for little subtle art pieces in a sense. They add a completely different movement in a sense, especially to throws. The classic throw or afghan, is very practical, full of purpose, and yet a handmade piece of art. People put quits on display, yet often many afghans can have their own beauty.

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Shining Shells Throw Autumn 210 Crochet! Magazine Photo courtesy Annie’s

My latest design in the Autumn 2016 issue of Crochet! Magazine features a solid color motif throw. Shining Shells Throw, is worked in a solid color, worked join as you go, so that you have a minimal number of ends to weave and no sewing, all while offering a unique twist of shells. Essentially each motif is worked with you thinking that it is square, then the final round, you shift everything to turn it on point as a diamond. This definitely gives an interest in working the motifs, while adding a visual interest. The negative spaces created between the motifs add a nice lacy feel, yet do not distract from the overall feel of the piece. A modest edging ties everything together, allowing this throw to hold a place of interest in any place you put it, living room to bedroom, hammock to sofa.

Cover8The solid color also gives you the opportunity to really enjoy the way the stitches come together, the simple color leaves a bold statement, that may have been lost if it dancing in colors.

The Smaller Size of Wool- Felting

ScannedImageWool shrinks, wool is scratchy, and wool is expensive. These are just a few of the comments I have heard from people as to why they have never worked with a yarn other than acrylic. I will admit, I use to feel that way too, until I learned more about it.

Let us address why wool shrinks. The shrinking process is called felting, it occurs when the individual fibers attach together. Each strand of fiber has scales, similar to the images that you have seen on hair conditioner commercials, where is shows a strand of hair with overlapping scales down the shaft, this is the same with wool. When wool fibers are rubbed together these scales will catch on each other and pull closed together, I think of it as holding hands, and this causes the individual fibers to pull closer together. As each individual strand does this, the overall size of the piece will shrink, because all of the individual strands are closer together.

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Felted handbags… If you can still see the stitches, there is definitely more felting that can be done.

However, just because it can be simply stated does not mean that it happens easily, or equally. Some sheep breeds result in wool that felts much easier than others, but as the yarn ball usually only says “wool” it is hard to know exactly how that yarn will behave.

Many believe that getting wool wet, or getting it hot causes it to felt, when in reality it is agitation. By rubbing the fibers together you can cause them to felt, in a sense, the little “pills” you sometimes find after wearing are small versions of felting. These are fibers that have been rubbed together and have worked free of the yarn and formed a matted group that does not come apart. Water and heat can ease the felting process as they both help the scales open up, so it is easier for them the catch hold of one another, adding soap to this process can facilitate it even more, but without rubbing the scales will not felt.

Simply placing an item in the dryer will not cause it to felt, it really already felted in the washing machine as the drum agitated the clothing, the dryer just sped up the visual process by drying it. Unfortunately though, once wool has felted, it cannot be undone.

Felting though is not necessarily a bad thing. If you plan on intentionally felting your creation, such as a handbag, you can create a fabric so dense that you do not need to line it, and yet nothing will fall out. There are even patterns that create slippers by felting your original work. When creating or working with patterns such as these, they will be created larger than the desired outcome, to know how much you need to know how much your wool will shrink. You begin by making a swatch, measure it, then wash it or treat it in the manner you are planning on felting it (personally I just throw it in the washing machine with some denim to give it the most agitation, and then the dryer. This process may give you inconsistent outcomes, but I kind of like surprises). After it has felted, measure the swatch again, and then compare these measurements to the original, the difference in the amount of surface area is the amount it shrinks, now adjust the end desired size upward accordingly.

Note that the felting process never really ends, you can continue to felt a wool item many times over, and it will continue to shrink, not usually as drastically as the first time, but the fibers can continue to get closer and closer after each agitation.

Corkscrewing Thoughts on the Unfurling Hat

ScannedImageIt amazes me how something so simple can create such an interesting look. The Unfurling Hat, in the Autumn 2016 issue of Crochet! Magazine is one such design. It is a warm, strong hat that features post stitches. It is these post stitches that create corkscrew effect, or might even be described as a pinwheel kind of look, as it spirals outward from the top and cascades down to the brim.

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Unfurling Hat Autumn 2016 Crochet! Magazine Photo courtesy of Annie’s

The brim is quite generous, and the hat tall. There are a couple of reasons for this, okay, mostly one, I usually have my hair up, and running out in the cold weather I like to be able to throw a hat on and go, not re-do my hair so my hat will fit comfortably and still keep in warm and dry. So by adding a little length to the hat, I can simply put it on and go. It fits over my bun, my pony tail, my French twist. It fits over my clips, and combs, while still doing its job. In addition I think it still looks pretty stylish, while covering up my up-do.

CoverThe design of the post stitches, came out of simple playing again. I had a lush yarn in my hand and I wanted to just crochet, not think, and not work any math, just crochet. The placement of the stitches for this design actually allow me to do that. After you work the first round, the same basic concept works in all subsequent rounds, so I no longer had to think about what stitch I was working. It has a natural organic feel, and works up quickly.