Tag Archives: wool

Substituting Yarn, Understanding the Fiber

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Not all yarn is created equal so have some insight when substituting yarn in projects. There are various things that make a difference in this product and the fiber/material that is spun can be a much overlooked reason for a successful project. Essentially there are 3 different classification of materials: protein based, cellulous based, and synthetic.

Substituting Yarn- Protein Based

Protein based yarns are those made from a material from an animal, and put up in a hank (learn how to use a hank here). This can be wool, silk, alpaca, camel, bison, and et cetera. These fibers have some unique properties, for example wool can keep you warm even after it is wet. Wool is also fire resistant, meaning that it will only burn if it has a flame to it. In addition wool is “springy” and has some stretch.

While silk is actually warmer that wool, it will not keep you warm after it gets wet. Silk is also a very strong fiber that can be added to other fibers to help increase its strength.

If you ever wonder about how to care for a protein based yarn, think about how you would treat your own hair. If you would not treat your own hair with a certain product then don’t use it on your yarn.

Substituting Yarn- Cellulous Based

Cellulous based yarns are comprised of those like cotton, and linen. These fibers typically “breath” well and are considered very comfortable. Linen, while it can “wrinkle” it repels dirt. Cotton can absorb twice its weight in water, so it helps to make a handy dishcloth.

Synthetics

Synthetic based yarns, are those fibers that you cannot readily make or grow yourself. The most common in retail yarns is acrylic, but you can also find polyester, nylon, and such. Acrylic is a petroleum based product and it can be made to mimic any other fiber in feel, but it will not share the same properties as that fiber. It is actually mold resistant, but it is effected by long term or high heat. Heat will change the structural properties of the yarn, making it feel and behave differently than when first produced.

The fiber that makes up a yarn effect the outcome of your project, and the highlights listed above are just a quick overview of the properties. So, when substituting a yarn in your next project, don’t just look at the weight and yardage, also give some thought to the fiber content, you will improve the project outcome.

Holiday Stashdown- Moebuis Cowl, Free Pattern

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Wow! How is it already December? Thank you for joining me as part of the Holiday Stash Down. Check out all 15 designs, that have been released each Monday since September in an effort to help everyone get ready for the holidays.

Today I am sharing the Vas’s Hug Moebius Cowl, you could really call if an infinity scarf too, but either way I think you will enjoy it. It is worked with 2 skeins of Paintbox Yarns Simply DK, I used 2 contrasting yarns for a nice visual.

It is worked up as a long rectangle, with color changes on the same side so you can do yarn carries. Then it is seamed and edged. The Row repeat is simple, so you can finish up this project quickly and have it ready in time for you holiday gift giving.

Enjoy!

Vas’s Hug Moebius Cowl

Materials: 

*Hook size I/9/5.5mm

*Paint Box Yarns Simply DK, light weight, 100% acrylic yarn (3.5oz/100g/302yrd/276m), 1 skein each of color  #142 Tea Rose(A) & 105 Slate Gray(B)

Gauge: 4 (2dc, ch 2, sc) stitches/ 6 rows=4″ (10cm)

Finished Size: 10″ x 72″ (25 x 183 cm)

Pattern Notes:To weave in fewer ends, simply carry the yarn changes up the edge of the cowl. When working the edging you will crochet of these “yarn carries”. (Check out an example here)

If you need more visuals for working this stitch pattern, you can find it listed as the “Titter Tat” stitch here, on my blog.

Row 1: With B, ch 42, sc in 2nd ch from hook, [ch 4, sk 3 ch, sc in next ch] 10 times, turn. -10 ch -4 sps

Row 2: (2dc, ch 3, sc) in each ch-4 sp across, turn.

Row 3: (2 dc, ch 3, sc) in each ch-3 sp across, change to color A, turn.

Row 4: (2 dc, ch 3, sc) in each ch-3 sp across, turn.

Row 5: (2 dc, ch 3, sc) in each ch-3 sp across, change to color B, turn

Row 6: (2 dc, ch 3, sc) in each ch-3 sp across, turn

Rows 7-106: Rep Rows 3-6 twenty five times

Row 107: Rep Row 3

Row 108: Rep Row 4

Row 109: (Joining Row) Lay fabric out flat, turn Row 108 around and fold fabric so that Row 108 and Row 1 are together (the twist adds the Moebius), (2dc, ch 1, sl st to around skipped ch-3 of beg ch adjacent to row, ch 1, sc) in each ch-3 sp across. Fasten off.

Edging

Rnd 1: With Color B join to any stitch on any edge, ch 1, evenly sc around (because of the twist placed to create the Moebius, this one edge will continue all the way around both sides of the cowl), sl st to join, change color A, turn.

Rnd 2: Ch 1, sc in each st around, sl st to join. Fasten off, weave in ends, block.

Ann’s Angles Square

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I am so honored to be invited to participate in this years Moogly CAL 2018 Afghan Block! This is the last square for 2018, find all the rest here, and complete your own throw using one of each square.

This year I have been playing with miter squares, and thought I would share the skill with you. A miter square is worked from two outside edges, with a decrease at the corner, until no stitches are left on either edge, creating a square.

However with this design, I then added to two edges to create an effect that is similar to a look of a square atop a square, or some say even an arrow.

The name is derived from one of my students, Ann. She is my world traveler that shares stories of all of the exotic lands she has visited. She is also a former high school mathematics instructor, and always keeps us on point with the the patterns and the various ways that the stitch counts can be effected.

Ann’s Angles Square

Materials:

*Red Heart With Love: #1562 Jadeite (A), #1101 Eggshell (B), #1207 Cornsilk (C), #1971 Tigerlily (D)

*Hook J/10/ 6.00mm

Gauge

Square= 12″ x 12″ (30.5 x 30.5 cm)

Row 1: With A, ch 42, sc in 2nd ch from hook, sc in next 18 sts, sc3tog over the next 3 chs, sc in the last 19 chs, turn.

Row 2: Ch 1, flsc in same st, flsc in next 17 sts, sc3tog over next 3 sts, flsc in last 18 sts, turn.

Row 3: Ch 1, flsc in same st, flsc in next 16 sts, sc3tog over next 3 sts, flsc in last 17 sts, turn.

Row 4: Ch 1, flsc in same st, flsc in next 15 sts, sc3tog over next 3 sts, flsc in last 16 sts, turn.

Row 5: Ch 1, flsc in same st, flsc in next 14 sts, sc3tog over next 3 sts, flsc in last 15 sts, change to color B, turn.

Row 6: Ch 1, flsc in same st, flsc in next 13 sts, sc3tog over next 3 sts, flsc in last 14 sts, turn.

Row 7: Ch 1, flsc in same st, flsc in next 12 sts, sc3tog over next 3 sts, flsc in last 13 sts, turn.

Row 8: Ch 1, flsc in same st, flsc in next 11 sts, sc3tog over next 3 sts, flsc in last 12 sts, turn.

Row 9: Ch 1, flsc in same st, flsc in next 10 sts, sc3tog over next 3 sts, flsc in last 11 sts, turn.

Row 10: Ch 1, flsc in same st, flsc in next 9 sts, sc3tog over next 3 sts, flsc in last 10 sts, change to color C, turn.

Row 11: Ch 1, flsc in same st, flsc in next 8 sts, sc3tog over next 3 sts, flsc in last 9 sts, turn.

Row 12: Ch 1, flsc in same st, flsc in next 7 sts, sc3tog over next 3 sts, flsc in last 8 sts, turn.

Row 13: Ch 1, flsc in same st, flsc in next 6 sts, sc3tog over next 3 sts, flsc in last 7 sts, turn.

Row 14: Ch 1, flsc in same st, flsc in next 5 sts, sc3tog over next 3 sts, flsc in last 6 sts, turn.

Row 15: Ch 1, flsc in same st, flsc in next 4 sts, sc3tog over next 3 sts, flsc in last 5 sts, change to color D, turn.

Row 16: Ch 1, flsc in same st, flsc in next 3 sts, sc3tog over next 3 sts, flsc in last 4 sts, turn.

Row 17: Ch 1, flsc in same st, flsc in next 2 sts, sc3tog over next 3 sts, flsc in last 3 sts, turn.

Row 18: Ch 1, flsc in same st, flsc in next 1 st, sc3tog over next 3 sts, flsc in last 2 sts, turn.

Row 19: Ch 1, flsc in same st, sc3tog over next 3 sts, flsc in last st, turn.

Row 20: Ch 1, sc3tog over next 3 sts, fasten off.

Working over the ends of rows.

Row 21: With color D, join to either of edge of Row 1, ch 1, evenly work 19 sc sts across edge, 3 sc in last stitch of row 20, working down the other edge or rows, evenly work 19 sc sts across edge, turn.

Row 22: Ch 1, flsc in same st, flsc in next 19 sts, 3 sc in next st, flsc in next 20 sts, turn.

Row 23: Ch 1, flsc in same st, flsc in next 20 sts, 3 sc in next st, flsc in next 21 sts, turn.

Row 24: Ch 1, flsc in same st, flsc in next 21 sts, 3 sc in next st, flsc in next 22 sts, change to color C, turn.

Row 25: Ch 1, flsc in same st, flsc in next 22 sts, 3 sc in next st, flsc in next 23 sts, turn.

Row 26: Ch 1, flsc in same st, flsc in next 23 sts, 3 sc in next st, flsc in next 24 sts, turn.

Row 27: Ch 1, flsc in same st, flsc in next 24 sts, 3 sc in next st, flsc in next 25 sts, turn.

Row 28: Ch 1, flsc in same st, flsc in next 25 sts, 3 sc in next st, flsc in next 26 sts, change to color B, turn.

Row 29: Ch 1, flsc in same st, flsc in next 26 sts, 3 sc in next st, flsc in next 27 sts, turn.

Row 30: Ch 1, flsc in same st, flsc in next 27 sts, 3 sc in next st, flsc in next 28 sts, turn.

Row 31: Ch 1, flsc in same st, flsc in next 28 sts, 3 sc in next st, flsc in next 29 sts, turn.

Row 32: Ch 1, flsc in same st, flsc in next 29 sts, 3 sc in next st, flsc in next 30 sts, change to color A, turn.

Row 33: Ch 1, flsc in same st, flsc in next 30 sts, 3 sc in next st, flsc in next 31 sts, turn.

Row 34: Ch 1, flsc in same st, flsc in next 31 sts, 3 sc in next st, flsc in next 32 sts, turn.

Row 35: Ch 1, flsc in same st, flsc in next 32 sts, 3 sc in next st, flsc in next 33 sts, turn.

Row 36: Ch 1, flsc in same st, flsc in next 33 sts, 3 sc in next st, flsc in next 33 sts, 3 sc in next st, working on edge of Rows 21-36 evenly sc across to the unused loops of the beg ch of row 1, sc in the next 20 unused loops, 3 sc in next st, sc in the next 20 unused loops, continue evenly sc across the ends of Rows 21-36, 2 sc in last st, sl st to join. Fasten off, weave in ends, block.

 

 

 

 

 

 

 

 

 

 

 

 

December! Time to enjoy my Craftvent CAL

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So if you have been fortunate enough to receive a limited edition crochet Jimmy Beans Wool Craftvent for 2018, I thought I would share some tips and insight behind the design. Note: This kit sold out and is no longer available on their website, but it doesn’t hurt to call and see if one may be hiding in the back. (If you were unsuccessful obtaining one, read to the end and I will share some insights to making your own).

To begin with the shawl starts at a point and increase on one side until it becomes a large triangle. The first couple of rows might be the most challenging, especially since it is small and there is not much to hang on to.

The first row, essentially becomes a “V”, ensuring that all odd number rows will be worked in a “V st” pattern. The even number rows are simply double crochet stitches worked into all the stitches and spaces across.

To help you keep an accurate row count, the number of “V”’s will increase by 1 every time you work this row, while the double crochet row will always increase by 3 stitches. So if you had 3 “V” stitches in row 5, you will have 6 “V” stitches in Row 7, while if you had 10 double crochets in Row 6, then you will have 13 double crochet stitches in Row 8.

Also the increase are worked on the same side as the color changes, keeping all the pattern differences on one side of the work.

While this “V” stitch/double crochet row repeat makes up a vast portion of the design, the smaller rows of back loop single crochet stitches are always worked in pairs, and there are no increase worked in these rows. This little stitch pattern adds a great contrast in the fabric, not only visually but texturally too.

This entire kit is based upon the redesign of my Quest Shawl pattern, so if you were not able to get a Craftvent the closet to offer is the Quest Shawl pattern. The main difference in these designs is actually the color blocking. Quest has only 2 colors, while Craftvent features 8. If you want to purchase these yarns and thus make your own color blocking from the Quest Shawl, here are the yarns:

You can order a skein of each from Jimmy Beans Wool and create your own color blocking effect.

I will admit, I was so excited about this project that I purchased a kit myself, and am reworking the shawl again day by day in the calendar! You can follow along with my progress at my Facebook Page or Instagram.

Hope you enjoy this process as much as I am!

Change the Yarn- Tips for Yarn Substitutions

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We have all done it, and sometimes it goes well, others it does not. I am talking about yarn substitution.

Honestly, I never really thought about the yarn I was substituting. I would find a yarn I loved then pick out a pattern I liked and just begin working up my stitches. I never looked at gauge, I never paid attention the fiber or even the weight of the yarn.

In some cases things worked out fine, in others I found myself with items smaller, or firmer, or just plain awkward looking. So I have learned, and it is time to share some insights.

First realize that the pattern you find was designed in a specific yarn. The way it looks in the photo is because of this specific yarn. Changing the yarn will change the effect, maybe the drape, maybe even the size.

Now what to compare to make the change.

Check the weight of the yarn. The weight is in essence the diameter of the strand of yarn, it can be assigned a number (from 0 lace-7 super chunky) or given a name such as lace, thread, sock, fingering, baby, sport, DK, worsted, Aran, chunky, craft, bulky, roving.  These numbers or names are assigned by the manufacture and finding matching yarns at least get you in the ball park that the yarns are similar.

However there are times that you pick up a yarn and it doesn’t have a weight listing by number of name, but it does have a knitting gauge listed. This gauge can help you make the weight comparison too. Yarns that have the same gauge, using the same size needles, will be also be compatible in weight. If the yarns are using the same size needles in the gauge but the stitch and row counts are not the same, the yarn with the higher number of stitches in the gauge will be thinner than the other.

Another way many compare the weight, is to compare the yard/meters and the ounces/grams of the skein. If a skein states that it is 400yrd/366m and 1.75oz/50g it would be compatible with a yarn of 425rds/388m and 1.75oz/50g, but not compatible with a yarn that was listed as 600yd/549m and 1.75oz/50g, as the latter yarn is much thinner. It is a comparison of yards/meters and comparison if ounces/grams that help you see if things are in the same ball park.

The next thing to consider when comparing yarns if the fiber content. In some cases it may not make much of a difference, but a few fibers act completely different from one another. For instance if you are substituting a wool yarn with a lot of bounce or springiness, with a 100% silk you fabric will not even resemble each other. The silk tends to have a lot of drape, it flows, and in comparison to the wool will be limper. Whereas the wool will have some stretch and spring back into place.

Yarns with similar fiber content will behave similarly, so use caution if the labels vary greatly.

Now that you have found a yarn to substitute, if you want to ensure that you will be happy with the outcome of your project, make a gauge swatch. If you make gauge and are happy with how the fabric feels and looks, make your project.