Tag Archives: Craft Yarn Council

I am A #HumansThatYarn

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Humans that yarn. Sounds like an interesting caption, but to the Craft Yarn Council it is a bit more than that.

The Craft Yarn Council is a nonprofit organization that is designed to promote all things yarn that includes certifying knitting and crochet instructors….it is an interesting course that I completed of crochet in 2012, and really has helped me to teach crochet more effectively. (You can find information about the program here). The Humans that Yarn campaign is an effort by this organization to hear the voices of those that craft with yarn.

Often as crocheters it seems like we are defined by the fact that we are not knitters, and this campaign gives us an opportunity to talk about who we are and what yarn means to us, so I thought I would share my thoughts.

For me I really do not remember a time in my life without yarn somewhere around. As I have talked about in the past I taught myself to crochet at the age 10 from a book, but it wasn’t from a true desire to crochet as much as it was to learn and create. It just happened that I had access to yarn, hooks and the book.

Most of my yarn came from others. Other people would give me there left over scraps and partial skeins. There was a time when I finally committed to creating my first afghan that I convinced my mom to allow me to purchase some yarn. I remember spending time going over patterns finding the one that I wanted to create. I remember standing in the aisle of the store putting various combinations of yarn together to find the perfect colors. I remember asking my mom’s advice on the color selection, she after all as in many different art classes at the time.

Yet yarn is not just a memory for me. It is a way of moving my hands and keeping my mind flowing it is being productive in even the most likely of times.

It might be that I tend to want to do or experience things that no one would quite expect to look at me. No one in grade school would expect me to be crocheting, I had many friends in high school look at me like I was crazy when they found out…although many still have the afghan I made them. I guess I liked a bit of the awe factor. Not fitting into any particular mold…I still find it appealing.

People that know me are no longer surprised by the crocheting, but they tell me they are inspired by my designing, teaching and taking it on as a business. The title “Crochet Designers” does garner surprise from people I meet, as they never thought of any career like it.

So I guess, my easiest summation for Who am I? when considering Humans that Yarn, I am contrite wanting to be different and a bit surprising while utilizing a common craft.

Share your #HumasthatYarn story, Who are You?

The Visual Pattern or Paint by Numbers

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ScannedImageAs you probably already know we all have different ways of learning. That is very apparent in the next form of pattern writing I’d like to talk about, called Crochet Charts or Symbols depended upon who you ask. This form of writing will cause you to basically do one of two things either you will scratch you head and feel like you need lessons, or the light will go off and the whole world will make sense (granted you can have a little bit of both too.) The charts make it easy to see what the next step is and how the stitches go together, visually; almost like looking at a close up photo of the item you are crocheting. To me it kind of reminds me of “Paint by Numbers”, except that you methodically work each cell directly to the side of the one you are on, instead of filling in all the “twos”. But you recognize the picture you are painting, and simply following the steps, instead of a written pattern that sometime requires you to work a couple of rows before the pattern repeat makes sense.

This pattern reading option is not always as available as the written versions (as I am writing in North America), but it is gaining in popularity and opening up options for crocheters to use foreign patterns as well, since the charts are pretty much universal. The new found availability of these charts is also reflective of the use of illustration software by designers and publishers, as drawing the symbols by hand can often be more labor intensive then writing six pages of pattern. On the other hand, one graphic can show six pages of pattern in one that small space.

Like traditional written patterns you need to understand the abbreviations. This simply is knowing what the symbol represents. Samples of the most common symbols are below, as found on the Craft Yarn Council website:

Charts

The chart will usually indicate the starting point, and many change colors for the rows, making the pattern even more recognizable (and in some instances a piece of art unto itself). A small sample of what a piece might look like is this:

T=dc, x=sc, 0=chain, .=beginning

0 T T  x x x x T T T

0x x x  T T T T x x x

.0 0 0 0 0 0 0 0 0 0 0

This is read from the bottom left (at the period) across to the right, (as I don’t have any fancy software, bear with me here), traditionally you would see three ovals stacked on top of each other to the beginning of the second row (so imaging one between the two already there), and works across to the left. If you are left handed, you simply flip the graphic in the mirror direction and every row will work in the direction you are working.

If this was written out it would appear as:

Row 1: Ch 11, sc in second ch from hook, sc in next 2 ch, dc in next 4 ch, sc in next 3 ch, turn,

Ro w2 Ch 3, dc in next two sc sts, sc in next 4 dc sts, dc in next 3 sc sts.

To keep you place in a pattern like this, you may want a highlighter, or marker of some sort, to physically mark the pattern, or get creative with some office supplies and see what might work for you. Another thing to note about this pattern method is that often the entire pattern is not there; meaning that you are given the graph for the main portion of the repeat of the pattern and not the entire thing. This is one reason that it is most commonly used of motifs, since it is usually a few rows and you can see the entire square, where as is it was a pattern for a sweater it would be more involved with many rows of repeat for only subtle changes at shaping points (not to mention it would be difficult to write multiple sizes into one chart). But charting can be seen as an edging, and it will show you the repeat of the pattern. To successfully complete this you need to do only a little math, and that is only for the number of times that you need to repeat the pattern charted before you to fit desired area.

This is a very favorable pattern to read if you are very visual, to see some beautiful charts simply enter “crochet charts” in any search engine on the internet and find charts that you might even want to frame. It is also another form of pattern writing that you can easily master and might even enjoy if you give it the opportunity. However if this style still doesn’t suit your taste there is yet another method to discuss, more about that next time.