Testing Myself- Teaching Crochet

I am getting ready for my latest test…oh, I mean teaching opportunity! I am teaching this July in Portland, Oregon, at the Crochet Guild of America’s annual crochet conference (also known as Chainlink).

I say I am getting ready for my latest test, because ready that is how I feel, and the way I treat it. I put a lot of work in behind the scenes for my classes, to ensure that I cover the topic in the most approachable way, and then have a couple of back up approaches in case the explanation doesn’t resonate with the audience.

So, I am brushing up on a couple of different topics for Portland, like Drop Spindle. I will be teaching a 6 hour class on creating your own yarn using a drop spindle. I am doing extra research on various drop spindles, various fibers, the history, and different approaches to spinning, to make sure I am not missing any information.

I am acquiring all of the materials a student needs to learn with and then some. I have a material fee for the class, because I want to make sure that my students get the best materials to learn with. I personally hate taking a course and attempt to get the items needed, get to the class and find that I found products that were not necessarily best for understanding the concept. Fortunately, when I procure materials for my class I can often get a discount for bulk purchase and pass that saving on to my students.

I am also testing and investigate more ways to dye yarn for my course Home Dyeing –Safe & Simple. There are always so many ideas that come when diving down a rabbit hole of content, and this class offers that as well. I find myself adding more approaches and techniques every time I teach this course, as so many new ideas have been generated and various artists are cultivating new techniques. Often times questions that student generate in class can add to the material of future classes, giving me new areas to research.

Beads are another skill that can be ever evolving, my course Beading Three Ways, really should be renamed at this point, as I have added a few other ways over the years. From student questions, to new books on the market, to revisiting older techniques, this class probably covers at least 5 ways to work with beads now.

Probably my historically best attended class is What the Pattern Does Not Say. This class also is constantly revisited by me to add more content and update the terms. I find that the most daunting things for crocheters in understanding patterns, and I offer a fresh approach to understanding how to read a pattern, while pointing out tips and tricks that maybe causing you to fail, even before you start.

So even though this is only 4 classes, I will spend countless hours, days and weeks preparing.  Then during the event of teaching the real test begins, ensuring that my students feel comfortable, that they feel inspired, and that they feel accomplished when they walk out of the door. Then it starts all over for my next teaching engagement.

Consider joining me, you can find the class listings at crochet.org.

 

Worth a Routine Change

Settling back into a routine can be a bit of a challenge, but teaching at the Crochet Guild of America annual Chainlink conference is really worth the change of schedule.

This is my second year teaching at CGOA, and this year went by faster than I thought possible. I blinked and it was over.

I spent the last week of July just outside of Chicago sharing my love of crochet with other like-minded individuals. I taught 4 classes, and as there are so many great crochet instructors I vary my topics to help set me apart. This event I taught Needle Felting Applique, Converting Knitting to Crochet, Variations of Broomstick Lace and Things that the Pattern Assumes you Know. I feel like every class I teach is a test; Can I share everything in a manner that everyone will understand? Am I giving the students what they need/want/deserve/expect?

In a respect I think I gain just as much as my students from a good class, which I think each of these were. I get inspired by the work they do and the questions they ask. It helps me explore things in a different way, and I hope that helps me grow as a teacher.

This was the first conference since 2004 that the CGOA did a conference alone. In the recent past CGOA partnered with The Knitting Guild Association for the Knit & Crochet Show, this year the knitting association decided to try something different and CGOA decided to proceed on its own. As a result the show was a bit smaller but this allowed it to have everything much more inclusive, with all the class rooms in the hotel. So no trekking to a large convention center. I could leave my class room and join groups of crocheters working on their latest projects in the lobby. It was really nice.

I also had the opportunity to catch up with old friends and make a couple of new ones. It is like a battery being recharged, but recharged while it is being completely run to empty. I enjoy this show and look forward to next year in Portland, OR.

 

Teaching in a Larger Setting, My Experience at the CGOA Annual Conference

ScannedImageIt is hard to believe that I have been home from my adventure of teaching at a national venue for a month now. It has taken me a little while to decompress from the annual Crochet Guild of America conference this year in Charleston, SC. Then arriving home and getting the kids ready to head back to school has delayed my opportunity to really absorb the event. Last week I explained how there was so much going on at the conference that I needed to break it into smaller bites, so today I want to tackle my four classes; Re-Invented Broomstick Lace, Yarn Overload, What the Pattern Doesn’t Say, and Beading Three Ways.

I have taught for a few years in smaller settings, I taught drop in lessons at a coffee shop for 4 fours, more recently I have been teaching weekly at my local yarn store, but teaching at a national conference is a bit different. For one the class size is larger I averaged 16 students per class, with my largest being 20, but they are usually much more focused students that are well prepared and have in depth questions, so it is not a class that you can bluff your way through, you really need to know your material.

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Class materials for Yarn Overload Photo courtesy of the CGOA Facebook page

I also never know what my class room will really look like and I need to bring all my supplies with me. In the local yarn store if a question comes up that I wasn’t prepared for I can find a prop to explain things from items in the store, I always feel that visuals help so much more than just words. At a large conference you are arranged in a hotel meeting or ballroom, so you need to be prepared for random questions and ways of explaining them. Also students expect good handouts, so that they can go home and almost relive the class, local students know that they can access you again in the future if need be.

So after getting all my ducks in a row, and feeling like I have everything together for each class, I walked into my first class, Re-Invented Broomstick Lace, with a few butterflies. The butterflies were primarily from the concern of my relationship with my students. I saw many faces for friends that wanted to support me in my first event, but I always find it a little more difficult to teach friends. It could be the times I have spent as a heckler of my friends teaching, in a good natured way of course, but I know myself well enough to know that to relax in a different setting I might slip into a relaxed situation with my friends and thus not create an inclusive atmosphere for the rest of the class. Fortunately I do not think this occurred, I made a special point to stay professional as much as possible, while still giving personality to the class. It is not an easy undertaking, so I hope I accomplished this! I haven’t received the results of the class evaluations yet, but students did give me positive feedback after the class.

The next class I taught was a complete mental download. Yarn Overload consisted of talking about various aspect of fiber and yarn construction and how it can affect your fabric. Fortunately it was the only class I taught that day, because the material was vast, and the students had some really great questions pressing my knowledge on a variety of fiber crafts, including weaving. I cannot believe that people could listen to me talk that long, but once again I had students expressing how much they really enjoyed the class, I even heard from others at the conference, as word spread about how much was covered in the topic. That makes me feel pretty good. One of the best compliments I received was that one of the students now feels like she can walk into a small yarn store and be empowered instead of intimidated about the yarns in front of her.

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Teaching Re-Invented Broomstick Lace Photo courtesy of CGOA Facebook page

My final day of teaching covered two topics, the first What the Pattern Doesn’t Say followed by Beading Three Ways. There were many ‘Ah ha’ moments for the students during the pattern class, and several people wanted information about my book on the topic, which is not written by the way. I explained many things that you are assumed to know in working patterns, and short cuts, and various ways to create and improve your work. I felt this class was a success as well.

My learning moment came in my last class, which I had to remind myself, it is not the way everything starts it is the way everything ends that is important. Beginning the class I realize that I am missing some important items…needle and thread. The first 2 techniques are taught with them and my sewing tomato pin cushion was nowhere to be found. After a bit of searching and a little regrouping, I had a very generous student offer to run down to the hotel front desk and pick up a stack of emergency sewing packs. I began the class working on the final beading method that did not involve a needle, while the student ran down and picked up supplies. She was a life saver, and fortunately the hotel was gracious enough to accommodate our needs. I managed to keep my composure and I think the class ended much better than it began, at least I hope the students feel it was successful.

I am not sure when I get to see the class evaluations, but I want to learn and grow as a teacher, so this is one of the only tools available for me to enhance the experience in my classroom. You always learn more by teaching, whether it be the skill itself or the art of instruction. This was definitely a learning opportunity for me, which I hope to repeat.