Brittany Hooks-My New Go-To

I learned something new and realized I was wrong. Yes, I can admit when I am wrong…even if I have friends and family that may not believe that statement…For years I have believed that for me there has been a difference between in-line and taper hooks. Some people refer to this as the debate between Susan Bates and Boye hooks, as they are the most popular brands.

left to right: Boye, Susan Bates, Brittany; all size K, 10 1/2, 6.5mm

To simplify the arguments, the inline hooks are like simple tubes with slits at the throat of the hook, while tapers taper down at the throat and enlarge at the head. I thought that it was this that made the difference in how I crocheted, but testing out some Brittany Crochet hooks, as showed me I have been wrong all these years.

Brittany hooks are inline hooks, and I offered to test them out primarily because I realized that the world is small. In small I mean, that I met the owner of Brittany hooks at a trade show in the Midwest, only to realize in our discussions that we actually went to high school together, a couple of years apart, in my home town in Northern California; that he actually hung out with my cousin throughout school and that we had many mutual friends.

I offered to test out the hooks, as a feeling of this small world companionship, I didn’t realize that I would learn something new and find a great hook in the process. Brittany was happy to have my feedback on my experience with their product, as they want to ensure that they are offering the best hooks on the market.

What I learned was that for me it really is not the shaft of the throat that effects my crochet, it is the length of the hook.

I use a knife hold when holding my hook, meaning that I hold it the same as if I were holding a knife to chop. I hadn’t really realized it before but the Susan Bates hooks are shorter than the Boye hooks as a result they do not extend past my hand, but instead rest just at the edge of my little finger. When using the Brittany, they had more length than a Bates, and that made all the difference. I found no difficulty in creating the stitches, and I have put these hooks through some test, creating a couple of sweaters and shawls.

The Brittany hooks were very comfortable to use, not to mention very handsome. They are actually all created by wood sourced in the United States, ensuring that they wood is sustainably harvested. All the hooks are made by a single family, and in a small town along the northern coast of California. My understanding is that this company grew out of a bit of a challenge; that challenge being creating a knitting needle from a single piece of wood.  This should not really seem like a challenge, as we have all seen wooden knitting needles before, however these are typically constructed in two pieces; a turned shaft and a stopper at the top. Brittany is actually all turned as one piece. The turning of the shaft is then adjusted to turn a beautiful ending edge. For the crochet hooks there is one other step, which is cutting in the throat.

While a machine might turn the lathe, the human hand is evident throughout the hook. Each one is lovingly created and hand finished. The family is dedicated to making a quality product while working by their family values of supporting the environment and their community. It began with a father over 40 years ago and is continued with the son working to support his growing family today.

However that thing I find most amazing is how reasonably priced the hooks are. I have found them on-line and in some small local yarn stores for under $10. For a hand worked hook….that is crazy reasonable. Couple with that, that they have an amazing product guarantee…if your hook is damaged in 5 years of purchase, they will replace it, no questions asked. That is beyond reasonable.

This makes it a very practical gift to yourself or someone you care for that stitches. I definitely recommend Brittany hooks, and am glad that I decided to give this hook a chance….I learned something new about my stitching as well as found my new go-to hook.

Small Town, Small World, Big Punch in Fiber Arts

The world has ways of reminding me that it is much smaller then I think, and I have had friends recently make me think of my home town a bit differently. I grew up, currently live, and have long roots in the California gold country; a friend made a comment about living in such a historic place, and I admit I think I probably have taken that for granted. However the craziest thing isn’t how much my area has history, it is how often I learn about companies in the fiber industry that have roots here too.

 

As I was getting into the profession of crochet I began to pay a bit more attention to my surrounding in regards to other professionals. My local Fibers Guild (a groups of members that love all things yarn) I learned that there was a yarn company just a short distance from my kids school, Lisa Souza Knitwear and Dyeworks. I have worked with Lisa over the years to help create crochet designs in her beautiful yarns, as well as help work her show booth and visit various cities throughout the United States.

 

If only having a well-established yarn company in my town was enough, I also learned that a nationally recognized fiber spinning instructor and author, Lexi Boeger of Pluckyfluff, grew up in my community as well. Heck she was only a year ahead of me in high school, but my high school was large enough that I can honestly say that we did not run in the same circles. Her family owns a well-known local winery, and she has a studio just near the tasting room, that I have had the pleasure of teaching workshops at.

 

Those two connections should be more than enough, then I got into a conversation with a long time member of my Fiber Guild and when she learned where I lived she immediately assumed that I must know Lorna Miser, the creator and founder of Lorna’s Laces yarn. I did not know her, but the connection was made that as I was growing up she was starting the yarn company literally about 2 miles from my childhood home. There is even a colorway within the yarn company that features my street name, Bucks Bar. I did meet Lorna a few years later, and long after she had sold the business that is now housed in the Chicago, Illinois area, I was when working on some designs for a book that she was working on, and learned that she knew several members of my extended family. Even though up until very recently she and I only lived about thirty minutes apart, while she was starting up her latest yarn adventure, Zombie Yarns,  we would only cross paths at trade shows thousands of miles from home; but that is how it works out at times isn’t it? Never have lunch with a friend when you are in the everyday routine of home, but definitely make time when out of the ordinary grind.

 

So looking back over the connections above to my community, I thought that maybe there was something in the water or maybe every community as secret fiber artists dwelling in plain sight. Then I was at a trade show earlier this month in Columbus, Ohio when a friend and colleague escorted me over to check out a hook supplier. Honestly, I was tagging along a bit, my mind was already taking in the days discussions with various yarn companies when the gentleman, Chris Barnes, mentioned something about California. I mentioned I was from Placerville, that got him to look up, as he started he grew up there. Now I should mention that when traveling it is exciting to find someone that can pronounce the name of the town correctly (it is a short a sound), let alone know where it is without me drawing a map. We began chatting back and forth to find that we knew several of the same people and he was only two years ahead of me in high school and hung out with my cousin during his high school years. Apparently he had just taken over the business his father had started in my hometown, Brittany Needles. The company moved several years back to a little down on the northern coast that I enjoy vacationing at, Mendocino, but it started right here in my little gold rush town.

 

I know I have taken the local gold rush history for granted, but I did not realize that there was such a rich fiber arts history in the professional sense surrounding me. Honestly, since this last connection I am beginning to think I need to question the ladies at the Hangtown Fibers Guild more, as when I excitedly mention these new to me connections, they have already know everyone involved.  I wonder if there are any other industry connections hidden away in my back yard.