Firelight Shawl a Quick Stunning Work Up

ScannedImageI love a little challenge, and the Firelight Shawl was that for me. As I have stated before, I enjoy having a design that has some constraints, and a desired goal. I often find one-skein projects a fun challenge, however this time it was to create this shawl with a limited number of cones of thread, and a limited number of beads.

img_7511-2

Firelight Shawl

The shape is one that I have found I have a little draw toward, it is stacked short row triangles. I love how this fans outward and has a great uneven edge. It is fun to work up, and hard to put down. I find that if the pattern has a nice “let me get there” point I end up crocheting more. This usually takes me a little further in the work then just a simple row repeat that I can stop at any time.

The bead placement on this shawl definitely highlights the added bling. Unfortunately photos never tend to pick them up well, but trust me it is loaded with beads. There are beads placed at least every 4 stitches, and even then, it is three beads at once.

img_7514-2

Firelight Shawl

Essentially the same stitch is used throughout, with the exception of the beads. Tunisian Crochet is utilized in a Double Knit Stitch, this stitch creates a nice open airy feel to the fabric, while really allowing the yarn and beads to shine.

img_7516-2

Firelight Shawl

There are plans to make a knit version of this pattern, but it does take me a bit longer to get that done and I did not want to hold this up for anyone that might want to create a quick stunning holiday gift. I hope to have knitting ready at the beginning of the year, it is a work in progress. In the meantime give Firelight a try, it is a quick little piece of dazzle that will make you smile.

You can check it out on Craftsy or Ravelry.

Teaching in a Larger Setting, My Experience at the CGOA Annual Conference

ScannedImageIt is hard to believe that I have been home from my adventure of teaching at a national venue for a month now. It has taken me a little while to decompress from the annual Crochet Guild of America conference this year in Charleston, SC. Then arriving home and getting the kids ready to head back to school has delayed my opportunity to really absorb the event. Last week I explained how there was so much going on at the conference that I needed to break it into smaller bites, so today I want to tackle my four classes; Re-Invented Broomstick Lace, Yarn Overload, What the Pattern Doesn’t Say, and Beading Three Ways.

I have taught for a few years in smaller settings, I taught drop in lessons at a coffee shop for 4 fours, more recently I have been teaching weekly at my local yarn store, but teaching at a national conference is a bit different. For one the class size is larger I averaged 16 students per class, with my largest being 20, but they are usually much more focused students that are well prepared and have in depth questions, so it is not a class that you can bluff your way through, you really need to know your material.

FB_IMG_1471559902137

Class materials for Yarn Overload Photo courtesy of the CGOA Facebook page

I also never know what my class room will really look like and I need to bring all my supplies with me. In the local yarn store if a question comes up that I wasn’t prepared for I can find a prop to explain things from items in the store, I always feel that visuals help so much more than just words. At a large conference you are arranged in a hotel meeting or ballroom, so you need to be prepared for random questions and ways of explaining them. Also students expect good handouts, so that they can go home and almost relive the class, local students know that they can access you again in the future if need be.

So after getting all my ducks in a row, and feeling like I have everything together for each class, I walked into my first class, Re-Invented Broomstick Lace, with a few butterflies. The butterflies were primarily from the concern of my relationship with my students. I saw many faces for friends that wanted to support me in my first event, but I always find it a little more difficult to teach friends. It could be the times I have spent as a heckler of my friends teaching, in a good natured way of course, but I know myself well enough to know that to relax in a different setting I might slip into a relaxed situation with my friends and thus not create an inclusive atmosphere for the rest of the class. Fortunately I do not think this occurred, I made a special point to stay professional as much as possible, while still giving personality to the class. It is not an easy undertaking, so I hope I accomplished this! I haven’t received the results of the class evaluations yet, but students did give me positive feedback after the class.

The next class I taught was a complete mental download. Yarn Overload consisted of talking about various aspect of fiber and yarn construction and how it can affect your fabric. Fortunately it was the only class I taught that day, because the material was vast, and the students had some really great questions pressing my knowledge on a variety of fiber crafts, including weaving. I cannot believe that people could listen to me talk that long, but once again I had students expressing how much they really enjoyed the class, I even heard from others at the conference, as word spread about how much was covered in the topic. That makes me feel pretty good. One of the best compliments I received was that one of the students now feels like she can walk into a small yarn store and be empowered instead of intimidated about the yarns in front of her.

FB_IMG_1471559915206

Teaching Re-Invented Broomstick Lace Photo courtesy of CGOA Facebook page

My final day of teaching covered two topics, the first What the Pattern Doesn’t Say followed by Beading Three Ways. There were many ‘Ah ha’ moments for the students during the pattern class, and several people wanted information about my book on the topic, which is not written by the way. I explained many things that you are assumed to know in working patterns, and short cuts, and various ways to create and improve your work. I felt this class was a success as well.

My learning moment came in my last class, which I had to remind myself, it is not the way everything starts it is the way everything ends that is important. Beginning the class I realize that I am missing some important items…needle and thread. The first 2 techniques are taught with them and my sewing tomato pin cushion was nowhere to be found. After a bit of searching and a little regrouping, I had a very generous student offer to run down to the hotel front desk and pick up a stack of emergency sewing packs. I began the class working on the final beading method that did not involve a needle, while the student ran down and picked up supplies. She was a life saver, and fortunately the hotel was gracious enough to accommodate our needs. I managed to keep my composure and I think the class ended much better than it began, at least I hope the students feel it was successful.

I am not sure when I get to see the class evaluations, but I want to learn and grow as a teacher, so this is one of the only tools available for me to enhance the experience in my classroom. You always learn more by teaching, whether it be the skill itself or the art of instruction. This was definitely a learning opportunity for me, which I hope to repeat.

Now I Need My Top- Let the Lace Go

ScannedImageDesigns come to me in many different ways. Let the Lace Go Top, actually came into being because I wanted to wear it!

The summer of 2015, my good friend Vashti Braha was debuting her yarn, Designing Vashti Lotus to the world in her first show floor booth. I wanted to support her, and since I really like her cotton/rayon yarn, I wanted to make something for myself to wear.

M22164_LetTheLaceGo_300

Let the Lace Go Top Autumn 2016 Crochet! Magazine Photo courtesy of Annie’s

I began working the vertical body, and almost had it together, when I received a call for submissions for Crochet! Magazine. Even though I liked the top for myself, I decided to submit the idea to the magazine. Ultimately it would benefit my friend more to have my design shared with the world, so others can see what a great yarn she has.

Ellen Gormley loved the top, and so I set my personal top aside to complete the project for the magazine. It 8is now available to you in the Autumn 2016 issue of Crochet! Magazine.

I think it came out great! I like working the fabric vertically as I feel it lends itself to a more slimming line, and the lace on top gives it a lighter feel. There is some interesting construction in this design, as you work the solid body first, then begin the lace in to round. After the lace is a couple of inches long, you attach it to the solid body and continue toward the neck, working in decreases to come over the shoulders to the neck.

CoverI added beads to the lace edging, as a little extra highlight, but also for the practice purpose of helping to keep the lace draping in a manner I like.

Personally I love the color, but it can easily shine in any color. I still haven’t actually finished one for myself…but hopefully soon…it just happens to be another project that is resting on my hook.

Inspiration from Broomstick

ScannedImageIt is so inspiring to share a concept with a student and see the spark in their eyes, and then see them make it their own. This has happened to me recently with an introduction discussion on Broomstick Lace.

I teach an informal crochet class at my local yarn shop, and keep it student driven, meaning that every student works on projects that they want to create and I teach them the parts they need to learn in an individual/group setting. I find that the students really get inspired from one another, and have such varied ideas for project that they want to create, this makes for a class that is different everyday highlights the beauty of how crochet can be some much to so many. The one constant is that I open every class with a new technique or skill.

IMG_7427

one simple row of Broomstick LAce

Last week I shared how to create Broomstick Lace, one student was inspired enough by this concept that she took it home and began working a row of it in her latest baby afghan. I love how she did not feel intimated by it, or feeling that she needed to find a pattern, she jumped right into how she could apply it to her latest project.

With this inspiration fresh in my heart, I wanted to share with you the basics to this traditional technique.

You can begin this stitch on a base of any fabric, you can even start it in a foundation chain, and it is really versatile. You use a large knitting needle, I typical do not use a needle smaller than a US 19 (15 mm) when using a light or medium weight yarn, the thing to keep in mind is that the larger the needle in relationship to the yarn the larger the “eye” of the stitch.

IMG_7419

Pull loops through base stitches and over a large knitting needle

Pull the working yarn over the needle, then insert your hook in the next stitch and pull up a loop, place this loop over the needle until you have pulled a loop through all the stitches in the row. Then you turn the work, and begin working the loops off the needle. This is done by inserting the hook through a number of loops on the needle (this number can vary, it can be as little as one, or as great as you like, often you see somewhere between 3 to 6 loops), yarn over, and pull a loop through these loops on the needle, chain 1, and work the either single or double crochet stitches in the space that the needle once sat, essentially in the loops. To maintain an even stitch count you want to add the same number of stitches as loops in the same stitches, for instance, if you are working in 5 loops, you want to place 5 stitches in the top of the loops. This process is continued across the needle.

IMG_7422

After loading the needle with loops, turn the fabric and work the loops off in groups, insert hook through loops, yarn over and pull through a loop, then chain 1

This is actually a very forgiving stitch, as if you somehow end up with too many or to little loops, you can correct the pattern by adding the number of stitches you should have in the top of the loops, so if you have 4 loops, but should have 5, work 5 stitches in the top of the loops and you have made corrections for the next row, while creating a piece that visually shows not difference.

IMG_7425

Working through the same space that the needle was located, work the same number stitches as there are loops into this space

This stitch may have originally received its name as being worked over a broomstick instead of a knitting needle, but has a reminiscent feel to Tunisian crochet and even Drop stitch crochet. These long loops pulled through stitches may be worked in different ways, but they create something uniquely crochet, and it is heart lifting to see them breathe new life.I can see them as rows of fabric, or used as an edging, they have great possibilities and are finding a new audience.

A Dragonfly for Change in the New Year

ScannedImageBeing the end of the year, I usually find it as a time of reflection. This year is no different, however as I was taking a count of the number of designs I created in 2015 I realize I have been busy…and I am not done yet. In 2015 I completed 32 designs (you can see some of them here), some for magazines, some for yarn companies, and some for my personal pattern store, but I want to add one more.

IMG_7351.1

Dragonfly Shawl

I am happy to release my latest pattern, available in my pattern stores on-line, The Dragonfly Shawl. So, I gave it the name of Dragonfly, as to me I see the edge panels as rows of dragonflies flying outward. Now I have not always thought of this little ancient insect, but since my wedding, several years ago, it has become a bit a totem representing that day for me.

I had an outdoor wedding, having the ceremony next to a pond in an apple orchard, and as I walked down the aisle I was surrounded by dragonflies. They beautifully danced me down the lawn to my husband. At the time I had guest comment on the dragonflies as bringing luck and magic to my life, yet looking up a simple search I see that many believe the dragonfly means change. What a great symbol for a new chapter in my life, as well as a New Year, so I feel it is fitting for this new design.

Scan_20151229

My wedding

This shawl was worked with only one skein of Blue Heron Cotton Rayon Twist Lace Yarn in the color of Bluegrass, and I actually had some left over. I love when a design works up this way, as it means that there is no extra ends to work in, no joining to worry about, I can just begin and finish in one complete clean piece. It is worked from the center of the top edge outward, ending with an airy scallop fans. The size is very generous, and the drape is fabulous.

IMG_7355.1

Dragonfly Shawl

If you are so inclined, please check out the pattern, or pass it along to friend (you can find it on Ravelry & Craftsy), and I will keep busy throughout 2016 creating more…now 33 complete means I was working up a new design every 11 days, and amazingly I did not feel that busy…guess I have room to complete even more next year.