Unexpected Journeys- A Little Like Life

ScannedImageThe interesting thing about ideas is that you never know when they are needed, or used. My latest released design, Holiday Sequins Sweater, reminds me of that, its journey was an awkward one, but now it sits on the cover of the Winter 2015 issue of Love of Crochet. I may not have even known that it graced the pages, let alone the cover had it not been brought to my attention by a very compassionate and supportive designer, Marly Bird. She had noticed it, took a picture of the cover and tag me in a Facebook post.

IMG_20151201_172418778The idea for this sweater came to me nearly four years ago as I was swatching with a yarn, which I believe has been since discontinued. I was inspired by a top that my sister had given me that had this cowl type neck, but I was never happy with how it only came to my waist line, it felt to short. I created a sketch to accompany the swatch of a simple texture, and sent it to various publishers, none of which were interested. As the seasons changed I would send it to a couple of other publishers, but it never found the right fit, until I answered a call for designs for a new book that Lorna Miser was putting together.

At the time, I had never met Lorna, yet I had heard about her as a local legend. She is the original founder of Lorna’s Lace Yarn, and actually began the business just a couple of miles from me as I was growing up. Of course I had no knowledge of this at the time, or frankly the interest, but as I grew older and even began working in the crochet/yarn industry, people would notice my street address and ask if I knew Lorna. That is just how small the world can be, she began the business and grew it for several years literally just down the street from me.

She has since sold the business and is focused on designing, and was putting together a new crochet book, one in which this sweater made to cut for, so the sample was made and the pattern written. The book never made it to fruition, but the design found its way to Love of Crochet, where unbeknown to me it landed on the cover. When the design was conceived I really thought that it was great, but then it was constantly rejected, then I thought it had found its way into an actual hard copy book, to learn that things had shifted once again. It was then possible that it may make it to the light of day, only to then dance upon the cover.

This seemingly long journey, which had a couple of twists and turns, just to have a pattern for a sweater, reminds me a little of how things ultimately go in life. You think you are on one path then all of the sudden you are on another and you end up in places that you may not have expected. So as I begin the time of year that has me usually reflecting on the past, looking at where things were a year or two earlier this design will remind me that you never know where the journey might take you.

Bruges Lace and Best of Show

ScannedImageSome take one look at the pattern length of Bruges Lace and feel that it is to overwhelming to work, however once you understand the principals it really is quite easy and can create beautiful works.

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Bruges Multi Shawl Photo courtesy of Annie’s

Bruges Lace is essentially like a ribbon; each row is created with just a few stitches and is joined to other portions of the “ribbon” with large turning chains. It is these turning chains that create the open lacy effects that this technique can create.

One of my latest designs uses this technique, the Bruges Multi Shawl in the Summer 2015 issue of Crochet! Magazine. This shawl begins at the base of the neck and curves outward in rows that end up more like arches. The ribbon is comprised of only 5 stitches, but is also designed to create more open work.

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My “Best of Show”, it is laying flat on the table at my local county fair.

This design was originally created as a personal challenge. I often enjoy limiting my ideas to what can be created with only one skein of yarn. This shawl was originally created that way, however it was with a different skein of yarn then what the published version is in. I made the original shawl with 1 skein of Lisa Souza Dyeworks Baby Alpaca/Silk yarn in the color of Cranilicious, and entered it in my local county fair. I do not enter my local fair for the ribbons or prizes, but more to inspire others to beauty that can be created in crochet, yet this shawl won me a “Best in Show” (my one and only).

I really enjoy the structural appearance of this shawl; it almost reminds me of old fashion iron work. This shawl almost seems weightless, yet adds just enough warmth to take the chill off. Another point I love with this design is that the front comes over the shoulders enough that it really stays on! I do not use a shawl pin or anything, I just throw it on and go, and it stays where I put it. That is something that I really enjoy.

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The original version of the Bruges Multi Lace Shawl

I hope that you take up your hooks and give Bruges Lace a try, its unique construction is easier then it seems and can be quite fun. Any continuous line you can draw can be worked as a ribbon of Bruges Lace, imagine the possibilities.

Swirling in Tunisian Crochet- Some thoughts

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Tunisian Swirl Skirt Photo Courtesy of Annie’s

ScannedImageI have to admit, it is a little overwhelming, in a good way, that I have so many designs out in magazines at the same time. The latest designs out are in the Summer 2015 issue of Crochet! Magazine, and I would like to share some of my thought process of the Tunisian Swirl Skirt with you.

There is actually a lot going on in this skirt. I found myself putting some unusual concepts together for what I feel are nice results. The skirt is worked in Tunisian crochet, utilizing the Full stitch ( I discuss how I work the stitch here). This stitch is worked between the vertical bars, and when worked in flat fabric it has to be staggered in the rows. However in this skirt it is worked in the round.

Working Tunisian in the round has its own unique process, and after playing round with several different options on how to accomplish this, I utilized the Tunisian Loop Return Pass technique, that I discovered from Jennifer Hansen, the Stitch Diva (check out her demonstration here). It offers a join that does not create any open gapping, when worked in Tunisian Simple Stitch it becomes almost invisible, worked in the Tunisian Full Stitch, as in this skirt, you can find the join point, however it is much less obvious then other methods.

Another non-everyday technique that I utilized is the Clone Knot. I learned about Clone Knots from Kathy Earle at a Chain Link Conference (the Knit & Crochet Show), and use them in the lace insert panels that help create the swirl. I like how this stitch is created, I find it fun, but it also offers a nice texture, and allows an open kind of drape to a lace fabric. (I demonstrated how to complete this stitch here).

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My local newsstand this week, 4 issues that you can find my designs in right now…Spring 2015 Interweave Crochet, Summer 2015 Crochet! Magazine, April 2015 Crochet World, Special Issue Crochet Magazine Quick & Easy Accessories

Some of the other thoughts that went into this skirt may not be as obvious. For one, I do not want a skirt to show my under garments, so I seek out a stitch and hook size that will create a fabric that will allow for modesty, the Tunisian Full Stitch fit this build. With is modesty in mind, I also ensured that the lace panels did not climb into areas that I would like to keep modest as well. So you really should not have to wear an underskirt with this design.

Another thought that went into this design was how to you get a fitted waist. Part of this is created by working top down, and increasing for the hips, as well as allowing for a drawstring closure, so you can have a more custom experience with the fit.

If you wanted to change this skirt up and make it a little more or less lacier or have more or less of a swirl. This can be accomplished by adjusting the width of the solid panels the wider the panels the less lace, the more slender the more lace. Just ensure that the number of stitches in the round before the panels is divisible by the number of panels that you want to ensure that they come out even.

I had fun putting this skirt together and growing in my understanding of crochet while doing it. I hope that you enjoy it as well.

New Approaches to Broomstick Lace- The Bombay Vest with Elongated Loops

ScannedImageIn case you haven’t noticed I enjoy playing with stitch techniques and my latest design is no different.

With the Bombay Vest, in The April 2015 of Crochet World, I was playing with broomstick lace. This classic crochet technique is one that I find has a great untapped potential. It creates such a iconic “peacock eye” appearance, but what if you use those loops a little differently?Crochet World_April2015_Cover

For someone new to the concept of broomstick lace, it is a process in which you pull loops through a crochet base and over a large knitting needle (or as in times past a broomstick, hence the name; although it can also go by Jiffy Lace due to a long ago popular pattern). Once all these loops are placed on a needle, they are then grouped, usually in sets of 4-5 loops and single crochets are worked into the set of loops. The single crochet is most traditional, but any stitch can be used to solidify these loops into a group.

One of the ways I decided to play with this stitch was to simply twist the loops before filling it with stitches. This gives a very different positive/negative space appearance, almost more silhouetted, making you recognize the space between the set of stitches then the loops of “eye” created in the center.

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Bombay Vest- April 2015 issue Crochet World Photo courtesy of Annie’s

Then I took this one step further, by attempting to create 2 different heights of lace using the same knitting needle. One of the limitations with broomstick lace, in my opinion, is that the height of the row is limited by the size of the knitting needle (or broomstick) you are using. Yes, this tool gives you even and consistent loops, but often they are smaller then I might like, I want something really open, really tall. So I found that I could accomplish this by using every other loop of a set, and pulling the unused loops back into the ones that I have selected. As a result I have a loop set that is twice as tall as the needle created. (To get a better visual of this effect, please watch my video here). My only note of caution is to make sure that if you are going to pull up loops that you make sure that you do not drop the last loop from the needle, make sure that this is a loop that you elongate the length on, as it is part of the last stitch of the row below, and you do not want this to unravel.

When playing with these techniques I ended up creating a swatch, almost by accident, and thought it offered a great, almost retro feel, and immediately thought of a vest to wear. Then to find the proper yarn, I was looking for something that was not to springy and offered great drape, so Paton’s Bamboo Silk worked as an easy fit. This is a fun work project to work up, but I have to say I really enjoy the approach to the technique. So I hope that you consider giving it a try and see what broomstick lace can have the potential of being.

Where Designs Grow- The Bharat Star Table Runner

ScannedImageThe New Year seems like it has been a bit of a whirl wind, especially since I have several designs coming out in various publications over the next several weeks. I enjoy sharing my thoughts of where these designs grew from, and the latest of these is the Bharat Star Table Runner, that is now available in the special issue of Crochet World Magazine, Blue Ribbon Crochet (available on newsstands and for download now).

871501_BlueRibbon_COVERThis table runner created with #10 cotton thread (Nazli Gelin Garden, color #700-09), was a design that grew out my approach to seeing in uses for the picot stitch. The picot stitch is a crochet classic, which is often used in an edging, sometimes within lace stitches, and is essentially working a chain-3 loop among a row or round of stitches. This creates a little, for lack of a better term, “nub” to rise above the other stitches and create a visual interest.

In playing with this classic technique, I have used the picot, instead of an embellishment as a location of additional stitch work. I have found that increasing the picot to a chain-4 loops, this becomes an excellent place to put shell or fan stitches, that creates a nice rounded arch.

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photo courtesy of Annie’s

So while sitting in grass at my old high school, waiting for my kids to finish their parks & recreation tennis lessons last summer, I was playing with motifs. I was originally attempting to create large lace motif, but after working my fourth round by working a shelled arch in a picots I could not find a way to continue it further. I loved the shape that it made. I knew I was really on to something with it when the other parents waiting for their kids commented on how much they liked what I was making (once again crochet is an ice breaker).

I added the small motif squares to the mix, as a way to assist in a smooth join to the fabric, and believe that the square shape is a nice compliment to the star shape. I actually enjoy this stitch pattern enough that I have considered, several times, adding more motifs to make a wrap, or even a full table cloth.

If you do not feel comfortable using thread, this pattern can use yarn, and offer beautiful results as well.

I enjoy many of my designs, but this one is up among my favorites.