Teaching Inspired

It is a bit amazing all the accomplishments my crochet students have made. This last week at the El Dorado County fair in Placerville, CA they were awarded Best of Show, several Blue ribbons, and even swept entire categories. I am proud of each and every one of them, even those that did not enter.

 

Thinking back over the several years of teaching, I can remember my first student, and the lessons I learned from her. I live in a smallish community, and am multiple generations within it. I don’t look too hard for additional family as I probably have more relations or connections then one person really needs in life. So when my kindergarten age son began taking art lessons after school, it was not much of stretch when I found out the teacher was a cousin. Technically she was married to my second cousin, but why get to technical.

 

www.lindadeancrochet.comMy son took lessons all year and over the summer she invited him to her home to continue. During conversations over these lesson she learned that I had successfully completed the Crochet Guild of America’s Masters of Advanced Stitches and Techniques program.  As a result she requested that I teach her to crochet in trade for payment for the art lessons. I know that part of the reason she wanted me to teach her was to have more discussions, and help her gain insight into the childhood of her husband as he is a quiet man that doesn’t speak much on this topic.

 

She took lessons from me for about a year, encouraging me to attend the CGOA annual conference, which ended up launching my crochet career. She encouraged me to begin teaching at a local coffee shop, which I did for 4 years…one night a week with drop in lessons, until the shop moved twenty minutes away, now I teach regularly at my local yarn store as well as at national conferences and events. She was a support, she helped add a new spark to my life.

 

She passed away a few years later, only months after her pancreatic cancer diagnosis, but I remember well the lessons I learned from our crochet time, the class is about more than just the stitches. It is about the relationships, it is about the community, it is about the stories, and it is about sharing the confidence of your own ability and fostering confidence to grow in others. My current students may not realize how my teaching style was built, but they continue to help me remember the important lessons every time we meet. Thank you for the early education Judy, it will forever be with me.

Reinvent Too- A Yarn to Make You Think

Sometimes you can stumble across a yarn that can just make you think a bit. It might have an interesting color, a different construction, an unusual ply or twist, or in the case of Ancient Arts Yarns Reinvent Too for me it was the fibers that it is comprised of.

Not that the fibers used are all that unusual, it is more that I do not know if I have seen them put together in this way before. It is comprised of 49% Wool, 34% Mohair, 11% Nylon, 4% Acrylic, 2% Silk, so at a glance I can tell that it is going to have some warmth, some strength, some softness, and some durability. I cannot recall seeing wool combined with mohair, and having an addition of silk. These are all natural fibers with varying qualities to provide nice yarns all on their own, so often I see them highlighted in a skein where they alone are the shining star and there might be some other small contributors of support.

I guess the part that threw me the most was the large amounts of wool and mohair. Wool I have seen everywhere, but mohair I usually see in yarns that allow its fine quality and natural halo be the defining quality of the yarn. This is not the case in Reinvent Too. The mohair is a work horse of sorts adding its softness and warmth to this blend.

This yarn offers a very nice stitch definition, and even though it is listed as a worsted weight, I feel it is on the lighter side of this definition and would personally treat it more as a light weight or DK. It is not quite as soft as I would have expected, but still pretty nice. It may soften up after a hand washing, I have not tested this theory however. I think that it would work up nicely as a shawl, or a cardigan or jacket. I don’t know how well I would enjoy it as a scarf as it seems a bit rough to the skin on my neck, but a hat would probably be fine. I could also easily see this creating a small throw, it would easily work up great for spring and fall temperatures.

The color selection for this yarn is beautiful, as is normal for Ancient Arts, so you could definitely find a color to inspire you. The hanks have 198 yds/180m per 3.5oz/100g skein, that may limit it to small yarn projects, but I think you may be pleasantly surprised with it.

Merino Defined!

Great stitch definition and easy to use yarn, which is the best way to describe Merino Textura by Plymouth Yarns as part of their Plymouth Select collection.

This yarn is a bulky weight made up of 62% Superwash Fine Merino Wool and 38% Merino Wool. It seems a bit redundant to state the Merino wool, but there is a bit of a subtle difference. The Superwash Fine Merino, is a fiber that is of smaller diameter and thus is softer. Also being superwash means that this fiber has been treated so that it will not felt. Essentially even though this seems to be the same kind of wool, it really is not. Just over 60% of this yarn is going to be very soft, and not felt, but the remaining 40% can felt, so take caution is washing and caring for your final project in this yarn.

It does feel very nice in the hand. For being a bulky weight I would think of it almost as like a medium weight but a bit heftier. The twist of the yarn seems very stable and for a four ply, it has a nice even round yarn. The clarity of the yarn and ply makes it great for a project that has textural stitches. It will allow popcorns and cables really stand out, as well as enabling open stitch work to easily shine.

I think this is a great yarn for outer wear, like a jacket or even a top layer sweater. The feel is soft enough for direct skin projects, but for me it is the weight that makes it outer wear, I like to layer and the heavier layers are on the outside. This yarn would also work up well in accessories like hats and scarves, or even home décor like a fabulous throw. This yarn will not disappoint.

Berry for a Bit of Texture

Often it is just a subtle texture that can give a great effect on a fabric. This little stitch, which I refer to as a berry stitch, is quite effective in this regards.

This stitch is essentially a single crochet and a chain 3 loop. The chain 3 loop is worked between the stitches, then pushed to one side of the fabric. This enables the fabric to have a little more stretch, and a very gentle little “bump” of texture. The chain loops can also be worked between larger stitches, however the loose a bit of their “bump” effect as it basically squeezes the loop in the space between the tall stitches. The single crochet is a shorter stitch so the chain loop is pushed outward.

This chain loop can be worked between every stitch, as I did in my sample, it can be worked every few stitches. Working every stitch creates a row that reminds me of little pearls, but this stitch can be worked so that it would be a staggered bead of these little pearls instead of a row. These loops are typically worked in one row and the next row is worked without the loops. This results in a fabric that only has bumps on one side. There is nothing that forbids working this stitch on every row, I just find that in my purposes I prefer it only on one side.

I have used this stitch several times, often I use it in floor mats or the soles of slippers. I also find that I really like it in baby blankets. One of the things that I find nice with this stitch is that for slippers and mats, is that the extra stretch in the stitch gives it a very soft, fluffy, almost pillow like quality. That then is not only attractive to look at, but it is also very functional.

Crochet Really Is The Love

There are moments that crochet can remind you that how powerful and important the skill can be. One such moment happened recently, as I was repairing an afghan that was brought into my local yarn store.

Repairs can seem intimidating, but really they are just a bit time consuming. Often the most difficult part is finding yarn or thread that matches the piece being repaired. Fortunately I am a bit of a pack rat, so I have a pretty extensive yarn collection. This allows me to have some flexibility in finding a suitable yarn to use. The next really important thing is to catch all of the loose loops of the stitches still intact to ensure that they do not unravel further. This also helps to see where the damage actually stems from and helps gain insight in how to fix it.

The repair that I just completed was one that can be fairly common, any time there are many stitches worked in one place there tends to be more stress on the yarn the stitches are worked into. Sometimes these strands fail and allow all the stitches to become unsecured at the base.

When I undertook the repairs I did not know the story behind it, I did not know the special memories or meanings in these stitches. I just knew that it was important to someone. I never strive to “improve” the quality of the piece, if loose ends are not securely woven it, I just check to make sure that they are not unraveling the fabrics. I try to keep the character that the piece came to me with. I try to just bring the fabric back to whole so that it can continue to be treasured.

I often later learn the stories, some for a grandmother’s handiwork, a sister’s gift, and in the case of my last repair a wife’s final gift to be shared with the first grandchild. It is on these occasions that I really appreciate how much crochet is more than just yarn and stitches, it is love. I am fortunate that I can help that love continue to shine.