Cotton Classic- a Little Different than “Traditional”

Some yarns always inspire me, some always tell me what they want to be, others, well maybe not so much. Cotton Classic by Tahki Stacy Charles is one of the former, it can always find a design in my mind.

Cotton Classic is 100& Mercerised Cotton and this sometimes causes people to pause. The term cotton is generally understood, it had a great marketing campaign throughout the 1980’s about how it is a naturally grown product that lets the fabric breath. Cotton also is stronger when wet, has limited stretch, and many think of it shrinking when first washed. This first wash shrinking, is not like felting of wool, this is essentially because cotton, being a short in length fiber, has more “twist” worked into the yarn in order to hold the fibers together (if a strand is long it does not need to be twisted together as much to hold, while something short needs to have more twists to ensure the hold) this puts a lot of tension on the fiber. When the yarn (of cotton shirt) finally gets fully submerged in water it actually allows the fiber to relax, this allows it to release the tension, and this caused the fiber to contract. So cotton will only shrink in the first washing whereas wool will continue to shrink with washings.

Cotton Classic by Tahki www.lindadeancrochet.com

Cotton Classic by Tahki Stacey Charles

The term that confounds many is Mercerised. Mercerised is a process that removes the slight halo effect that can accompany a cotton fiber, this is essentially the tiny ends of the fiber protruding from the yarn. To Mercerise the yarn, or thread is brought over an open flame to burn off the fibers. This creates a yarn that has a nice smooth finish that has great stitch definition. Another side effect of this process is that it does not allow the cotton to absorb water as is normally considered. Thus Mercerised Cotton is not recommended for dish clothes, where regular cotton will work wonderfully.

I find Cotton Classic is wonderful for warm weather projects, dressy scarves, home décor items, a great market bag. I even love it for tank tops and cover ups. This yarn has a wide arrange of colors available, and it shows of lace work stitches and textural stitches fabulously. It comes in small hanks of 1.75oz/50g with 108 yds/100m. It is a light weight and has nice drape on larger hooks.

Consider it for your next summer weather project, and don’t worry about this cotton reminding you of a dish rag.

Titter Tat a Stitch that Breaks the Rules

There are times when you can come across a crochet stitch that breaks all the rules, for me the stitch I refer to as Titter Tat does just that. This stitch creates an open stretchy pattern whose stitches appear to be sideways, and you do not chain at the beginning of a row, you simply begin working your stitches.

I have used this stitch in the Wine Country Throw that is found in the October 2016 issue of Crochet World, it does have a bit of stretch, which can be deceiving when attempting to get a desired size, but I really love the affect.

Titter Tat Stitch www.lindareancrochet.com

Titter Tat Stitch

Begin with a chain that is a multiple of 4, then add 2 more chains. Single crochet in the second chain from the hook, [chain 4, skip 3 chains, single crochet in next chain] repeat everything in the brackets across, then turn. Do not chain anything, and simply work (2 double crochet, chain 3, single crochet) in all chain 4 loops across, and then turn your work. This can be a little awkward with the first stitch as it seems a bit distorted as it is pulled over, this is the correct approach as it will set the first stitches up the match the rest. All subsequent rows are worked the same, no beginning chain, working (2 double crochet, chain 3, single crochet) in all chain 3 spaces across. You work this until you have the desired length. This stitch can really benefit from blocking, but the type of yarn can influence how well this works.

The more formal written pattern looks like this:

Ch a multiple of 4 +2

Row 1: Sc in 2nd ch from hook, [ch 4, sk 3, sc in next ch] across, turn.

Row 2: [(2dc, ch 3, sc) in ch-4 sp] across, turn.

Row 3-desired length: [(2dc, ch 3, sc in each ch-3 sp] across, turn.

You may want to add a solid border to the stitch to limit the stretch, but that is a personal choice. If you are seeking to practice this stitch and create a throw for charity you may want to consider your local foster youth programs. Often foster kids in any community have limited personal belongings, and upon during 18 are now legal adults with in many cases nothing to begin their own households. Foster youth programs try an ease this transition.

How To Impress the Judge & Get the Blue Ribbon

I have recently been asked to consider being a judge for fiber arts at a county fair in a community nearby. This would entail giving all entries within divisions and categories placement of at least first through third, and highlighting the best in shows. I am not sure how this offer might play out and if I will actually participate or not, but it did get me thinking. It is nearing the season of fairs and country competitions, and there are a couple of things that help a piece really stand out and become the grand prize.

The biggest thing that sets one knit or crocheted item apart for the rest is the finish work. Each piece obviously has had hours of work placed in creating the stitches and putting the colors together; so the pieces that demonstrate the extra time worked in weaving in ends, in blocking, in finishing and edge creating take the edge.

A judge should leave personal opinions aside, the colors you choose or the pattern you decide upon should not be a determining factor. The judging should be comprised of the skill and execution of your work itself. That is why these final touches makes such a difference.

Another factor that curries favor in judging is taking the skill to another level. This could be adding bead work to your shawl, or adding buttons to your wrap. Taking a little extra to ensure that all your fine craft work does not just blend in, but stands out. Sometimes this is created in the yarn selection for your project. In just a simple shawl yarn choice can make a great difference, such as in the drape. A yarn with a lot of spring or bounce, such as a merino, will drape differently than a yarn that has no memory, like a silk or an alpaca. This can create a shawl that has a stand out personality, and possibly make it a winner.

Ultimately, I advise anyone and everyone to enter some type of competition if you ultimately want to improve your work. The best judges often provide feedback on your work, constructive criticism. If your competition allows for judging that is open to the public, attend. This is a tremendous opportunity to gain extra insight in your work and learn how you can take your work to the next level. Even hearing commentary on the work of others will help in the growth of knowledge of your own work.

Taking the Hat to a Whole New Level

I am not much of an interior decorator. After I have chosen a paint for the walls, it will be that color forever; the furniture has found its placement, it will not move again; why change what took me forever to decide on? I guess this is either I a sign that I am completely set in my ways or too lazy to rework it, either way I am faced with times that I need a bit of different look. It is times like this that I find crochet beanies to be helpful.

I crochet many beanies throughout the year, many are given to various charities, so I have access to several colors and many textures to change the look and feel of my home décor on a very subtle way. The hats get used as pant cozies.

My “beanie” plant cozy

When I was younger I swore I would never create a cozy, after all I don’t mind looking at my toaster or my toilet paper rolls, but somehow I have managed to bring some of it to life in this small way. I have found that really a beanie type hat is essentially a basket turned up side town, so it easily fits the ceramic pots my house plants rest in.

I stumbled upon this out of necessity. I found that my pots were scratching my tables, being pottery the bottoms were always a bit rough and my furniture’s finish always seemed a bit soft, the pairing is not ideal. This means that I need something under my pots, perhaps a doily, a table runner, a coaster…yes, these all get utilized too. But for a little different affect, a hat. By placing a beaning over the pot I get to change to color and texture of the pot as well as saving my table surface. SO this is my subtle little visual difference in the house. It would be like putting new pillows on the couch, it gives a little new life.

As a side note, I can easily wear the hats again after a wash, so in a sense they just sever double duty now…so far, I don’t think anyone has noticed.

A Subtle Pattern Hit, the Subtle Diamonds Throw

There are times that I undertake a project and later wonder what I was thinking. Sometimes this is because I have bitten off more than I can chew, maybe I hadn’t thought my plan through enough, or maybe my timetable really will not allow for what I think it would. Yet with some perseverance it all comes out in the end. So when I took on the challenge of the Subtle Diamonds Throw I should have already been aware of my own pitfalls, but I jumped in anyway.

The challenge of Subtle Diamonds was really of my own creating, as it was designed as a challenge, could I create an afghan from a few skeins of hand dyed yarns. Some may think this really isn’t a challenge, yarn is yarn, and you are making a blanket…that seems pretty straight forward. However using hand dyed yarns can create a bit more thought in the designing.

Subtle Diamonds Throw Photo courtesy Ancient Arts Yarn

Some may not realize it but one of the thoughts that goes into a design for a pattern is if it would be cost prohibitive. By this I mean, if I designed a pattern that took 25 skeins of a $10 per skein yarn, would anyone realistically spend $250 in materials to make it? Probably not, especially if it was something pretty basic. This thought comes into play not only with the designer but with publishers and yarn manufactures. So working with hand dyed keeps this price pointing in your mind to find the most cost effective way to create.

So with Subtle Diamonds I was limited on the amount of yarn, using only 2 skeins of each color this throw can easily be made into a 48”x48” (122x122cm) throw, adding 1 more skein of 2 colors and it can become a 54”x48” (137x122cm). Then I wanted to ensure that the fabric was appropriate and would keep you warm, as well as the stitch pattern being interesting. Utilizing post stitches a staggered diamond pattern is created while helping the colors visually blend and harmonize together. This design as a result took a bit more planning and I am pretty happy with the way it finally came out.

Subtle Diamonds Throw Photo courtesy Ancient Arts Yarn

I teamed up with Ancient Arts Yarn to bring this design to you, they loved the idea of the challenge and added a bit of a twist to the process by requesting that the design have a modern, contemporary feel. I will in no way claim to be an expert in meeting, understanding, or designing to specific “type” or “style”, but apparently I came close since they liked it.

This challenge did help me grow as a designer, as all challenges do in general. It sharpens your senses and helps you to focus.