Big Squeeze by Ancient Arts- A Lofty Experience

I have played with a lot of yarn over the years, but I do not think that I have ever found a yarn that is so forgiving, or as “squishy” as Ancient Arts Big Squeeze.

This yarn is 100% Superwash Merino, as a result it will not felt or shrink but has a very soft feel. The way this yarn is spun it has a great loft to it, and this has a couple of benefits. Not only is it forgiving in the stitches, and adjusting well for uneven tension, but it also holds more air making it warmer.

Ancient Arts Yarn www.lindadeancrochet.com

Ancient Arts Yarn Big Squeeze color Frolic

This bulky weight yarn comes in a skein size of 127 yards (116 meters), which is comparable to other skeins of this weight, and one skein can easily complete a scarf or hat project. With the larger yarn, it garners a need for a larger hook a J/10/6.00mm will give you a pretty dense fabric, and you may prefer working with a hook size of at least K/10 ½ /6.5mm or greater.

The smooth even ply of this yarn also gives great stitch definition so it makes your stitches the star of the show, even though it comes in over 125 brilliant colors.

I feel this yarn will work up nicely in any home décor, simple accessory, or outer wear garment project. Due to the weight and lofty, it is obviously not the choice for small delicate items (in either look or feel). I also would not necessarily recommend it for projects that have a lot of fine detail, as the large bulk and hook make the details almost disappear.

My overall impression of this yarn is that I could just wrap myself in it and it would be a pillow and a blanket, maybe an all in one cocoon, which I could happily go about my day. It is a dream to work with.

Wool of the Andes, Some Thoughts

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There are many different yarns in the world. Many different textures, and ply, many different fibers, and qualities, and Knit Picks Wool of the Andes is an interesting yarn.

It is listed as a medium/worsted weight yarn, to me it seems to be on the lighter side of this definition and I would probably treat it as a light/DK weight yarn. It is comprised of 100% Peruvian Highland Wool, which essentially just tells that the sheep that produced this fiber lived in an area of higher elevation in Peru. However with a little more research into this yarn, aside from what the ball wrap says, apparently the Peruvian Sheep are a cross breed of Corriedale and Merino, however they are not a recognized breed in themselves. This cross breeding for to create a stable hardy wool that has a more fine texture, and thus a little softer.

Understand wool. Www.lindadeancrochet.com

Pre-felted swatch of Knit Picks Wool of the Andes

It is not overly soft, actually it seems utilitarian to me, but it is stable. It has a little springiness, and average drape. I feel this yarn fits most practical purposes, it could make a nice throw, or dabble in home décor with rugs or pillows. A nice hat could be created, but not for charities that are offering hats to chemotherapy patients. I do not feel that there is enough loft, or softness for garment wear that rests on the skin, and it has a little scratch to the soft skin under the chin, so it rules out a scarf or shawl for me.

It is a great felting yarn, meaning that if you intend to have all of your stitches disappear and create completely solid fabric (with a bit of shrinkage), then this yarn can fit the build. However this does then limit ability to care for any item created with this yarn, as it will need to be hand washed and laid flat to dry. When I felted with it, I ended up with a fabric that felted really easy, and quickly. I simply placed my swatch in with a load of denim jeans in the washing machine, and the washer and dryer did the work. I would suggest that if you are planning a felting project, like slippers or a handbag, crochet it about twice the finished size, and then felt.

Understanding wool. Www.lindadeancrochet.com

The same swatch felted (box indicates original size).

I know that there are many that love this yarn, but for me it is not a go-to. I see some purposes for it, but those purposes are not in my everyday uses.

Make It For Me- Flutterfall Shawl

ScannedImageThank you everyone joint me today from ELK Studio for the month long Make It For Me Event! (If you are not aware of this event, check it out here).

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Flutterfall Shawl By Linda Dean

I am happy to share my Flutterfall Shawl with you as my FREE pattern today. It is primarily created with just a chain stitch, and allows for a simple skein of yarn to go on for what seems like forever, and if you have a varigated yarn, it creates interesting pooling (more than might be usually apparent).

The design begins at the base of the neck and is increased at both sides as well as the center to create a flowing triangle, that is quite graceful.

The sample below is created with just 1 skein of a hand painted yarn, Lisa Souza Dyeworks Deluxe Sock! ( it is light weight, 80% superwash Merino, 10% nylon, 10% cashmere, 4oz/495yds), but the pattern can really be created with any yarn using an appropriate size hook. Just work it until you are happy with the size and add the edging.

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Flutterfall Shawl By Linda Dean

 

Flutterfall Shawl   by: Linda Dean (Get a Printable Version here for $2.00 US)

Stunningly simple, yet the effect is confident and enjoyable. This simple stitch pattern allows the yarn to be the star; it has great drape and fabulous flow. This is a design you will work up over and over again.

Skill Level: Advanced Beginner    Finished Size Approximately: 64”x 31”

Material List:

  • I/9/5.50mm crochet hook
  • Lisa Souza Dyeworks Deluxe Sock! Light weight 80% superwash Merino 10% nylon 10%Cashmere (4oz/495yrds) 1 skein
  • Tapestry needle

Gauge: 4 (sc, ch 3) groups/8 rows= 4”

Abbreviations:

ch: chain

dc: double crochet

rep: repeat

sc: single crochet

sk: skip

sp(s): space(s)

st(s): stitch(es)

Yo: yarn over

Pattern Note /Special Stitches

This pattern starts in the center middle and worked outward.

Shell- [dc, (ch1, dc) 4 times] in the same indicated stitch.

Row 1: Ch 2, [sc , (ch 3, sc) 3 times] all in 2nd  ch from hook, turn. -4 sc, (3) ch-3 sps

Row 2: Ch 6 (counts as dc and ch 3 now and throughout), sc in next sc, ch 3, dc in next ch-3 sp (place marker in dc to mark as center), ch 3, sc in next sc, ch 3, dc in last sc, turn. – 3 dc, 2 sc, (4) ch-3 sps

When working a (sc, ch 3, sc) into a marked dc, move the marker up to the ch-3 sp to mark the center of the shawl. When working a dc into a marked ch-3 sp, move the marker up to the dc to mark the center of the shawl.

Row 3: Ch 1, (sc, ch 3, sc) in same dc, ch 3, (sc in next sc, ch 3) across to marked st, (sc, ch 3, sc) in marked st,  ch 3, (sc in next sc, ch 3) across, ending with (sc, ch 3, sc) in 3rd ch of beg ch, turn.  –8 sc, (7) ch-3 sps

Row 4: Ch 6, (sc in next sc, ch 3) across to marker, dc in center ch-3 sp,  ch 3, (sc in next sc, ch 3) across to last sc, dc in last st, turn. -3 dc, 6 sc, (8) ch-3 sps

Row 5-52: Rep Rows 3 & 4 twenty-three times. – 3 dc, 102 sc, (104) ch-3 sps

Row 53: ch 1, sc in same st, [Shell in next sc, sc in next sc] around. Finish off. -52 shells, 53 sc

Finishing- Weave in ends and block.

Copywrite 2016 Linda Dean Crochet

Quality Makes A Difference- Wool

ScannedImageNot all wools are created even (You may have heard me say this before). When I was a kids I gained a negative perspective on several things that I had only been exposed to in its poorest quality. A few of these things were in foods…I dislikes butter and cheddar cheese for years, but later understood that the really poor quality products that were supplied through the government commodities program during the era of my childhood should not be defined as butter or cheese. After experiencing better quality it is hard to go back.

This was also true for me with regards to wool. As a kid my wool exposure was really poor quality wool blankets. Granted they did the job of keeping you warm, but you did not want them anywhere near your skin, as it would cause nothing but itching.

After being exposed to wool products of quality I understand that they are soft, warm, and nothing what I was initially exposed to. So what causes this “itchy” factor? Typically it can be caused by a couple of things.

Unspun wool Ready to be Yarn

Drafted wool, ready to spin into yarn….long staple, fine micron

For on, it could be the staple (length of the “fur” cut from the sheep). If it is short, then both ends of the staple or close in length and often blunt cut. One way to think of this is stubble of an area that has been shaved. As the hair grows back it is often bristly to the touch and if you let it grow out a couple of inches and cut it off, it is still going to feel a bit bristly. This is true with the staple of wool, so a short fiber can create a yarn that can scratch.

Another factor that can contribute to the “itchy” factor is the micron count of the fiber. This basically means how big the diameter of each fiber is. The smaller the diameter that softer the wool. Different breeds of sheep have different micron counts to their wool, with the best known in the yarn world being Merino. Merino has a small micron count, thus a soft yarn. In the era of my childhood I think that the wool I was exposed to was from fleeces that were removed from sheep that were bred of meat purposes, and if a breed is good for meat it is not typically great for wool, and vice versa.

That does not mean that you don’t find poor quality wool in yarn today, in some cases it has a purpose. It is often made into rugs. So when you are looking for a wool yarn, be mindful of what purpose you would want to have it worked as. Does it feel comfortable against the area just under your chin? If it does, then consider it for your fabrics that are close to the skin. If they have a slight scratch, but not completely horrible? Then maybe consider an outer wear garment like a coat; something that will not be directly sitting on the skin. It is something that is immediately uncomfortable? Then consider a nice wool rug, or bag.

I may not have found a use for the butter and cheese of my youth, but at least I now understand the wool, and have some ideas for it.

Cartwheeling Filigree Wrap- Great Things Come to Those that Wait

ScannedImageSome ideas are all about timing. Cartwheeling Filigree fits this description.

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Cartwheeling Filigree Wrap Photo courtesy Annie’s

This triangle motif wrap design was envisioned a few years ago. I loved how the motif had a very floral feel, it felt so feminine. The triangle allowed me to have the “flowers” staggered, and share an openness that gives a very spring like attribute.

When I originally put this design together, the editors loved it, but it wasn’t quite the fit for the magazine issue they were creating. This happened more than once, and waiting was its best thing that could have happened as it allowed Cartwheeling Filigree to grace the pages of the 15th Anniversary Edition of Crochet! Magazine (the Spring 2017 issue). In the world of current publishing 15 years is a long time, and anniversary issues attempt to make a special splash of all the favorites over the years as well as classics, so it is an honor to be included with all the other fabulous designs.

m22166_sc_small2This wrap can have a very different feel if a yarn is used. It is featured in Spud & Chloe Stripey Fine yarn, it is a superfine (fingering) weight yarn that is comprised of superwash wool and silk. The wool gives it a little “springiness” and a bit of body, if it 100% silk it would have a true luxury drape.

If you are looking for something a little larger and heavier, you can increase the yarn size and the hook size to create a piece that can add warmth as well as style. While working this same design with thread can create a very enticing table cloth. Working in a solid color also presents a more classic feel.

This design has a simplicity to it that allows it to be much more than it initially appears. I hope it inspires you see how wonderful simple can be.